Prolific author Tanika Gupta talks about stagecraft, highlighting the importance of voice and comic idiom in her writing.
| Track | Title | Description |
|---|---|---|
| 1 | Tanika Gupta on Voice | Prolific author Tanika Gupta talks about stagecraft, highlighting the importance of voice and comic idiom in her writing. Read more Tanika Gupta on Voice |
| 2 | Helen Blakeman and Setting | Playwright Helen Blakeman sees setting as integral to a play’s success and highlights the supporting importance of factors such as structure and voice. Read more Helen Blakeman and Setting |
| 3 | Developing the Idea | Playwriting master Alan Ayckbourn reveals how he develops and connects ideas for his plays, and the meticulous process of structuring and ‘building’ a script. Read more Developing the Idea |
| 4 | Alan Ayckbourn on Redrafting | Ayckbourn's approach to redrafting and rewriting scripts, and how dramatic ideas and twists emerge. Read more Alan Ayckbourn on Redrafting |
| 5 | Alan Ayckbourn as Director | Alan Ayckbourn's work as a director, and how this informs his writing. The economy of playwriting, and the writer’s awareness of the limitations of the stage. Read more Alan Ayckbourn as Director |
| 6 | Alan Ayckbourn and Staging | Drawing on his intimate knowledge of the theatre, Alan Ayckbourn offers an insight into the varius methods of staging, drawing a link between his own work and theatre in the round. Read more Alan Ayckbourn and Staging |
| 7 | Adaptation and Breakdowns | Renowned writer David Edgar discusses his ideas on Aristotle’s unities, linking this to ways of adapting existing works. Read more Adaptation and Breakdowns |
| 8 | Jane Rogers on Adapting for Television | Novelist and playwright Jane Rogers talks about the transition of one of her novels, Mr. Wroe’s Virgins, into a four part television series. Read more Jane Rogers on Adapting for Television |
| 9 | Jane Rogers as Novelist | Jane Rogers talks about her work as a novelist, and the methods of storytelling and voice she employs. She brings together various forms and approaches, such as the use of cinematic editing techniques, in her novels Read more Jane Rogers as Novelist |
| 10 | Approaches to Contemporary Fiction | Jane Rogers talks about her work in terms of viewing herself as a contemporary novelist. She draws links to literary greats, and techniques like 'the unreliable narrator'. Read more Approaches to Contemporary Fiction |
| 11 | The Mass Observation Archive | Dorothy Sheridan, director of the Mass Observation Archive at the University of Sussex, talks about the archive in terms of a research tool and a repository of unique material. Read more The Mass Observation Archive |
| 12 | Liz Jensen, Development and Decisions | Author Liz Jensen talks about her novels and how they develop in terms of storyline, plot, character and voice, How she often rejects planning in favour of a more organic approach to her work. Read more Liz Jensen, Development and Decisions |
| 13 | Structure, Revision and Theme | Novelist Liz Jensen talks about narrative viewpoints, and their benefits and shortcomings in terms of storytelling. Read more Structure, Revision and Theme |
| 14 | Ian McMillan and Repetition | Poet and presenter Ian McMillan takes a light-hearted look at the use of repetition in his poems. Read more Ian McMillan and Repetition |
| 15 | Poetry and Surrealism | Ian McMillan talks about the importance and use of surrealism in his poetry. Read more Poetry and Surrealism |
| 16 | Hilary Mantel on Film and Drama | Hilary Mantel talks about the importance and influence television and film have had on her development as a writer. The paragraph as the basic building block of fiction, and how this can generate a successful narrative. Read more Hilary Mantel on Film and Drama |
| 17 | Rhetoric and Rhythm | Hilary Mantel uses examples and a reading from her own novel Vacant Possession, to examine the use of rhetoric and rhythm, and how they can seed ideas in a reader and build up the relationship between reader and text. Read more Rhetoric and Rhythm |

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