- Introduction
- Learning outcomes
- 1 ‘A new state, a new art’
- 2 Realism and art-for-art’s sake
- 3 Dutch history painting
- 4 Disguised symbolism and ‘seeming realism’
- 5 ‘To instruct and delight’
- 6 Landscape painting and the limitations of the iconological approach
- 7 The role of conventions
- 8 Realism reconsidered
- Conclusion
- References
- Acknowledgements
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