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Dr Linda Walsh

The Open University

Linda Walsh is senior lecturer in art history and staff tutor in arts in the Yorkshire region of The Open University.

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Linda Walsh

Articles [1]

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Romantic PaintingBBC

By Dr Linda Walsh (The Open University)

08 December 2005

Linda Walsh gives an overview of the way Romanticism was expressed in painting.  Read more : Romantic Painting

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Research [10]

Browse Dr Linda Walsh’s latest research from Open Research Online

Walsh, Linda (2012). James Ward's 'Marengo': A Congruence of Aesthetic Theory, Pictorial Tradition, Natural History and National Pride. In: Open University MA Student Conference, 25 Feb 2012, Birkbeck, University of London.

Walsh, Linda (2011). Deconstructing and Reconstructing the Self: Sofia Coppola's 'Marie Antoinette' and Three Portraits. Invited paper.

Walsh, Linda (2010). Modes of expression in mid-eighteenth-century French genre painting. In: Klein, Tobias Robert and Porath, Erik eds. Figuren des Ausdrucks : Formation einer Wissenskategorie zwischen 1700 und 1850. Paderborn: Wilhelm Fink Verlag GmbH & Co. Verlag KG.

Walsh, Linda (2009). Finding a middle way: the search for a language of expression in mid-eighteenth-century French genre painting. In: Figuren des Ausdrucks Conference, January 2009, Berlin.

Walsh, Linda (2008). Art History at the Open University. In: Theory and Practice, January 2008, Open University, Milton Keynes.

Walsh, Linda (2008). The 'Hard Form' of sculpture: marble, matter and spirit in European sculpture from the Enlightenment through Romanticism. Modern Intellectual History, 5(3), pp. 455–486.

Walsh, Linda (2003). "Crushing infamy": the Revoulutionary Sculpture & Joseph Chihard. British Journal for Eighteenth-Century Studies, 26(1), pp. 109–128.

Walsh, Linda (1999). Charles Le Brun, 'art dictator of France'. In: Perry, Gillian and Cunningham, Colin eds. Academies, Museums and Canons of Art. Art and Its Histories. London, U.K. and New Haven, CT, U.S.: Yale University Press, pp. 86–123.

Walsh, Linda (1998). Subjects, society, style: changing evaluations of Watteau and his art. In: Barker, Emma; Webb, Nick and Woods, Kim eds. The Changing Status of the Artist. Art and Its Histories (2). London, U.K and New Haven, U.S.: Yale University Press, pp. 220–248.

Walsh, Linda (1996). The expressive face: manifestations of sensibility in eighteenth-century French art. Art History, 19(4), pp. 523–550.

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Biography

Read Dr Linda Walsh’s biography.

Linda Walsh is senior lecturer in art history and staff tutor in arts in the Yorkshire region of The Open University. She has written course material on French and British art from the seventeenth to the nineteenth centuries, most recently for the course, From Enlightenment to Romanticism, which she currently chairs.
Linda has also published a number of articles on French art and theory and is currently researching the Romantics' views on sculpture and on the sublime.

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