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Fiona Richards

The Open University

Fiona Richards is Senior Lecturer at The Open University. She read music at Durham University, followed by a postgraduate year as a bassoonist at the National Centre for Orchestral Studies. Freelance orchestral and teaching work was combined with study for an MMus at the University of London, Goldsmiths' College. She subsequently taught on the undergraduate music courses at Goldsmiths and at Kingston University.

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Articles [3]

Browse all OpenLearn articles by Fiona Richards

A timeline of symphonies from 1900-1945Creative Commons Image an unsung Symphony / Jithin Radhakrishnan / CC BY-NC-ND 2.0

By Fiona Richards (The Open University)

17 November 2011

A timeline of the major symphonic works produced in the first half of the 20th Century  Read more : A timeline of symphonies from 1900-1945

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Musical landscapes: the symphony after 1900Creative Commons Image an unsung Symphony / Jithin Radhakrishnan / CC BY-NC-ND 2.0

By Fiona Richards (The Open University)

16 November 2011

Fiona Richards looks at the symphony around the world during the first half of the 20th Century  Read more : Musical landscapes: the symphony after 1900

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Beethoven: The Expert ViewProduction team

By Fiona Richards (The Open University)

21 October 2004

Fiona Richards explores the passions which drove one of the truly great composers.  Read more : Beethoven: The Expert View

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Research [10]

Browse Fiona Richards’s latest research from Open Research Online

Richards, Fiona (2012). Peter Sculthorpe's Irkanda IV. Landmarks in Music Since 1950. Aldershot, UK: Ashgate (Forthcoming).

Richards, Fiona (2011). John Ireland's personal world. In: Foreman, Lewis ed. The John Ireland Companion. Woodbridge: Boydell & Brewer, pp. 42–53.

Richards, Fiona (2011). Helen Perkin: pianist, composer and muse of John Ireland. In: Foreman, Lewis ed. The John Ireland Companion. Woodbridge: Boydell & Brewer, pp. 132–146.

Richards, Fiona ed. (2007). The soundscapes of Australia: music, place and spirituality. Aldershot, UK: Ashgate.

Richards, Fiona (2007). Granville Bantock and the Orient in the Midlands. In: Clayton, Martin and Zon, Bennett eds. Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East. Music in Nineteenth-Century Britain. Aldershot, UK: Ashgate Publishing, pp. 129–146.

Richards, Fiona (2006). Introduction: Spirit of place, spiritual journeys. In: Richards, Fiona ed. The Soundscapes of Australia: music, place and spirituality. Ashgate.

Richards, Fiona (2006). Journeys across Australia: Ealing film scores of the 1940s and '50s. In: Richards, Fiona ed. The Soundscapes of Australia: music, place and spirituality. Ashgate.

Richards, Fiona (2004). British islands: an obsession of British composers. In: Dawe, Kevin ed. Island musics. Oxford, UK: Berg, pp. 199–212.

Richards, Fiona (2002). An Anthology of friendship: the letters from John Ireland to Father Kenneth Thompson. In: Fuller, Sophie and Whitesell, Lloyd eds. Queer episodes in music and modern identity. Urbana, USA: University of Illinois Press, pp. 245–267.

Richards, Fiona (2002). Changing identities: the pianist and composer Helen Perkin. Australasian Music Research, 7 pp. 15–30.

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A timeline of symphonies from 1900-1945

Comment posted by cod48

29 Jan 2012

The symphony no. 2, named The Four Temperaments would have been the work of Carl Nielsen, Danish composer, 1865-1931. Read more : A timeline of symphonies from 1900-1945

Biography

Read Fiona Richards’s biography.

Fiona Richards read music at Durham University. She then spent a postgraduate year as a bassoonist at the National Centre for Orchestral Studies. Freelance orchestral and teaching work was combined with study for an MMus at the University of London, Goldsmiths' College. She subsequently taught on the undergraduate music courses at Goldsmiths and at Kingston University.
In October 1994, she joined the staff of The Open University. Since then she has completed a PhD on the subject of Meanings in the Music of John Ireland, and has published The Music of John Ireland (Ashgate, 2000). She has also contributed to New Grove II and The New Dictionary of National Biography. Her research interests are based in three main areas: music in Britain in the 20th century, the music of Australia and performance practice. She has produced articles and broadcasts on the music of William Baines, Malcolm Williamson, Judith Weir and John Woolrich.

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