Artists and authorship: the case of Raphael
◄Previous: Keep on learning

# References

Barthes, R. (1977 [1967]) ‘Death of the author’, in Image-Music-Text (trans. S. Heath), London, Fontana, pp. 142–9.

Blunt, A. (1966) The Paintings of Nicolas Poussin: Critical Catalogue, London, Phaidon.

Britton, P. D. G. (2008) ‘Raphael and the bad humours of painters in Vasari’s Lives of the Artists’, Renaissance Studies, vol. 22, no. 2, pp. 174–96.

Burckhardt, J. (1929 [1860]) The Civilization of the Renaissance in Italy (trans. S. G. C. Middlemore), London, G. G. Harrap.

Chapman, H. (n.d.) ‘Raphael’, The Oxford Companion to Western Art, Oxford Art Online [Online], Oxford, Oxford University Press.

Clark, T. J. (1973a) Image of the People: Gustave Courbet and the 1848 Revolution, London, Thames & Hudson.

Clark, T. J. (1973b)The Absolute Bourgeois: Artists and Politics in France, 1848–1851, London, Thames & Hudson.

Clark, T. J. (1985) The Painting of Modern Life: Paris in the Art of Manet and his Followers, London, Thames & Hudson.

Foucault, M. (2009 [1969]) ‘What is an author?’, in Preziosi, D. (ed.) (2009) The Art of Art History: A Critical Anthology [Online], Oxford, Oxford University Press, pp. 321–34 . Available at http://open.eblib.com/patron/FullRecord.aspx?p=453635 (Accessed 12 April 2014).

Freud, S. (1984 [1910]) Leonardo da Vinci: A Memory of his Childhood (trans. A. Richards), London, Melbourne and Henley, Ark Paperbacks.

Gombrich, E. (1971) ‘Norm and form: the stylistic categories of art history and their origins in Renaissance ideals’, in Norm and Form: Studies in the Art of the Renaissance, London and New York, Phaidon, pp. 81–98.

Greenblatt, S. (1980) Renaissance Self-Fashioning: From More to Shakespeare, Chicago, University of Chicago Press.

Greenblatt, S. (1982) The Power of Forms in the English Renaissance, Norman, OK, Pilgrim.

Hadjinicolaou, N. (1978 [1973]) Art History and Class Struggle (trans. L. Asmal), London, Pluto.

Hendrix, J. S. (2010) ‘Perception as a function of desire in the Renaissance’, in Hendrix, J. S. and Carman, C. H. (eds) (2010) Renaissance Theories of Vision, Farnham, Surrey and Burlington, VT, Ashgate, pp. 99–115.

Jacobs, F. H. (1997) Defining the Renaissance Virtuosa: Women Artists and the Language of Art History and Criticism, Cambridge, Cambridge University Press.

Koerner, J. (1993) The Moment of Self-Portraiture in German Renaissance Art, Chicago, University of Chicago Press.

Kris, E. and Kurz, O. (1979 [1934]) Legend, Myth, and Magic in the Image of the Artist (trans. A. Laing and L. M. Newman), New Haven and London, Yale University Press.

Loh, M. (2007) Titian Remade: Repetition and the Transformation of Early Modern Italian Art, Los Angeles, Getty Research Institute.

Maas, A. (1910) ‘Publius Lentulus’, in The Catholic Encyclopedia [Online], New York, Robert Appleton Company. Available at www.newadvent.org/cathen/09154a.htm (Accessed 15 January 2014).

Passavant, J. D. (1839) Rafael von Urbino und sein Vater Giovanni Santi, Leipzig, Brockhaus.

Pon L. (2004) Raphael, Dürer, and Marcantonio Raimondi: Copying and the Italian Renaissance Print, New Haven and London, Yale University Press.

Rubin, P. (1995) Giorgio Vasari: Art and History, New Haven and London, Yale University Press.

Shearman, J. (1994) ‘Castiglione’s portrait of Raphael’, Mitteilungen des Kunsthistorischen Institutes in Florenz, vol. 38, no. 1, pp. 69–97.

Shearman, J. (2003) Raphael in Early Modern Sources (1483–1602), 2 vols, New Haven and London, Yale University Press.

Sohm, P. (2002) ‘Caravaggio’s Deaths’, The Art Bulletin, vol. 84, no. 3, pp. 449–68.

Soussloff, C. M. (1990) ‘Lives of Poets and Painters in the Renaissance’, Word and Image, vol. 6, no. 2, pp. 154–62.

Soussloff, C. M. (1997) The Absolute Artist: The Historiography of a Concept, Minneapolis, University of Minnesota.

Talvacchia, B. (2007) Raphael, London, Phaidon.

Vasari, G. (1913 [1550, 1568]) Lives of the Most Eminent Painters, Sculptors, and Architects [Online] (trans. G. du C. De Vere), Florence, Giunti Press. Available at http://www.gutenberg.org/files/28420/28420-h/28420-h.htm#Page_207 (Accessed 27 April 2014).

Von Schlosser, J. (1924) Die Kunstliteratur: ein Handbuch zur Quellenkunde der neueren Kunstgeschichte, Vienna, A. Schroll.

Wittkower, R. and Wittkower, M. (1963) Born under Saturn: The Character and Conduct of Artists: A Documented History from Antiquity to the French Revolution, London, Weidenfeld and Nicolson.

◄Contents►Next: Further Reading

OpenLearn - Artists and authorship: the case of Raphael
Except for third party materials and otherwise, this content is made available under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Licence, full copyright detail can be found in the acknowledgements section. Please see full copyright statement for details.