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Contents
- Introduction
- Learning outcomes
- 1 Methodological transformations: 1970s and 1980s
- 2 Raphael, prince of painters
- 2.1 Misconceptions and misreadings
- 2.2 Vasari and the reception of Raphael
- 2.3 Critiques of Vasari, by Freud, and Kris and Kurz
- 2.4 Other responses to Renaissance artists
- 2.5 Raphael’s death: the primary sources
- 2.6 ‘Raphael’ in death
- 2.7 A divine Raphael
- 2.8 Christ’s portrait
- 2.9 Raphael’s portrait
- 2.10 The intersubjectivity of Raphael and Castiglione
- 2.11 Identity and style
- Conclusion
- Keep on learning
- References
- Further Reading
- Acknowledgements
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