Helen Langdon's ‘Caravaggio’
Helen Langdon's ‘Caravaggio’

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Helen Langdon's ‘Caravaggio’

Acknowledgements

This course was written by Dr Carol Richardson

The content acknowledged below is Proprietary (see terms and conditions [Tip: hold Ctrl and click a link to open it in a new tab. (Hide tip)] ) This content is made available under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Licence

Grateful acknowledgement is made to the following sources for permission to reproduce material in this course:

Course image: Francisco Antunes in Flickr made available under Creative Commons Attribution 2.0 Licence.

Carrier, D. Principles on Art History Writing, 1991, pp. 49–79. Copyright © 1991 by The Pennsylvania State University Press. Reproduced by permission of the publisher.

Articles on Carel van Mander, Giulio Mancini, and Giovanni Pietro Bellori all from Hibbard, H. Caravaggio, 1983, pp. 343–87. © 1983. Reprinted by kind permission of Thames and Hudson Ltd, London.

Foucault, M. ‘What is an Author?’ (1969) from Bulletin de la Societé Française de Philosophie 63, no. 3 (1969). © Society of College of France.

Colour Plate 1: Front cover of Helen Langdon's Caravaggio: a Life, Chatto & Windus, 1998, hardback. Reprinted by permission of The Random House Group Ltd.

Colour Plate 2: Caravaggio, St John the Baptist (Youth with a Ram),1602, oil on canvas, 132 × 97 cm, Musei Capitolini, Rome. Photo: SCALA, Florence.

Colour Plate 3: Caravaggio, Narcissus, c.1597, oil on canvas, 110 × 92 cm. Galleria Nazionale D'Arte Antica (Palazzo Barberini), Rome. Photo: SCALA, Florence.

Plate 1: Agnolo Bronzino, St John the Baptist, 1550–5, oil on wood, 120 × 92 cm. Galleria Borghese, Rome. Photo: SCALA, Florence.

Plate 2: Annibale Carracci, Model Study for an Ignudo of the Farnese Gallery, c.1595, pencil on paper, Louvre, Paris. © RMN Photo: Gérard Blot.

Plate 3: Annibale Carracci, Triumph of Bacchus and Ariadne, 1595–1605, full fresco, Palazzo Farnese Gallery, Rome. Photo: SCALA, Florence.

Plate 4: Michelangelo, Sistine Ceiling (detail), Ignudo (male nude on left above the Erythræan Sibyl), 1508–12, fresco, Sistine Chapel, Vatican. Photo: SCALA, Florence.

Plate 5: Caravaggio, Sacrifice of Isaac, c.1603, oil on canvas, 104 × 135 cm. Galleria degli Uffizi, Florence. Photo: SCALA, Florence.

Plate 6: Emblem 69, Self Love. Reproduced in Alciato's Emblemata (Book Of Emblems), 1546, 49.8 × 38.6 cm. Glasgow University Library, Department of Special Collections.

Caravaggio, Sacrifice of Isaac, c.1603, oil on canvas, 104 × 135 cm. Galleria degli Uffizi, Florence. Photo: SCALA, Florence.

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