Dr Shafquat Towheed discusses Edward Lear's The Book of Nonsense.
When the novels of Victorian writers like Charles Dickens were published in serial form, customers would queue for the latest instalment. Copies would be shared, either by being read aloud or passed from reader to reader. Reading was a public event, carried out with other people and experienced at the same time by many thousands. Edward Lear’s poetry seems to belong in the nursery but it, too, had a public element. Children would experience the book together with other members of the household. Meanwhile, hundreds or thousands of children all across the country would have first received copies at the same time as Christmas presents. Iconic children’s books are iconic partly because we all share memories of them from our childhoods. When we talk about them, we share our nostalgia with each other and, when we give them to our own children, we ensure that they too will grow up with the same recollections. Collections of Lear’s nonsense verse, like Nonsense Songs or A Book of Nonsense became books which triggers these common memories of childhood because of the way they were marketed and the way in which they were first read.
More about Edward Lear's Nonsense Songs
Graphic books: Learn how Edward Lear’s books were printed using the then-innovative technique of lithography.
Learn some nonsense by heart: Go on an adventure to find a nonsense alphabet of animals and learn some nonsense by heart.
The Secret Life of Books: Find out more about the other books in the series.
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