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# References

Alpers, S. (1983) The Art of Describing: Dutch Art in the Seventeenth Century, Chicago, The University of Chicago Press.

Alpers, S. (1997) ‘Picturing Dutch culture’ in Franits, W. (ed.) Looking at Dutch Seventeenth-Century Art: Realism Reconsidered, Cambridge, Cambridge University Press, pp. 57–67.

Angels, P. (1996) Praise of Painting (trans. M. Hoyle), Simiolus, vol. 24, no. 2/3, pp. 227–58.

Białostocki, J. (1984) ‘Einfache Nachahumung der Natur oder symbolische Weltschau: Zu den Deutungsproblemen der holländischen Malerei des 17. Jhdt.’, Zeitschrift für Kunstgeschichte, vol. 47, pp. 421–38.

Blankert, A. (1980) Gods, Saints and Heroes: Dutch Painting in the Age of Rembrandt (National Gallery of Art, Washington; Detroit Institute of Arts; Rijksmuseum, Amsterdam), Washington, DC, National Gallery of Art (exhibition catalogue).

Bode, W. (1883) Studien zur Geschichte der holländischen Malerei, Braunschweig, F. Vieweg.

Bruyn, J. (1987) ‘Toward a scriptural reading of seventeenth-century Dutch landscape painting’ in Sutton, P. (ed.) Masters of Seventeenth-Century Dutch Landscape Painting, Boston, Museum of Fine Arts, pp. 84–103.

Fromentin, E. (1948 [1876]) The Masters of Past Time: Dutch and Flemish Painting from Van Eyck to Rembrandt (trans. A. Boyle), London, Phaidon.

Goedde, L. (1997) ‘Naturalism as convention: subject, style, and artistic self-consciousness in Dutch landscape’ in Franits, W. (ed.) Looking at Dutch Seventeenth-Century Art: Realism Reconsidered, Cambridge, Cambridge University Press, pp. 129–43.

Grijzenhout, F. and van Veen, H. (eds) (1999) The Golden Age of Dutch Painting in Historical Perspective (trans. A. McCormick), Cambridge, Cambridge University Press.

Hecht, P. (1992) ‘Dutch seventeenth-century genre painting: a reassessment of some current hypotheses’ in Franits, W. (ed.) Looking at Dutch Seventeenth-Century Art: Realism Reconsidered, Cambridge, Cambridge University Press, pp. 88–97.

Hegel, G.W.F. (1975) Aesthetics: Lectures on Fine Art (trans. T.M. Knox), Oxford, Clarendon Press.

Jongh, E. de (1971) ‘Realism and seeming realism in seventeeth-century Dutch painting’, trans. in Franits, W. (ed.) Looking at Dutch Seventeenth-Century Art: Realism Reconsidered, Cambridge, Cambridge University Press, pp. 21–56.

Jongh, E. de (1999) ‘The iconological approach to seventeenth-century Dutch painting’ in Grijzenhout and van Veen (1999), pp. 200–23.

Panofsky, E. (1972 [1939]) Studies in Iconology: Humanistic Themes in the Art of the Renaissance, New York, Harper & Row.

Renger, K. (1978) ‘On the history of research concerning the interpretation of Dutch painting’, trans. in Franits, W. (ed.) Looking at Dutch Seventeenth-Century Art: Realism Reconsidered, Cambridge, Cambridge University Press, pp. 9–14.

Schama, S. (1987) ‘Dutch landscapes: culture as foreground’ in Sutton, P. (ed.) Masters of Seventeenth-Century Dutch Landscape Painting, Boston, Museum of Fine Arts, pp. 64–83.

Slive, S. (1995) Dutch Painting 1600–1800, New Haven and London, Yale University Press.

Sluijter, E. (1988) ‘Didactic and disguised meanings? Several seventeenth-century texts on painting and the iconological approach to Dutch paintings of this period’, trans. in Franits, W. (ed.) Looking at Dutch Seventeenth-Century Art: Realism Reconsidered, Cambridge, Cambridge University Press, pp. 78–87

Smith, D. (2009) ‘Realism and the boundaries of genre in Dutch art’, Art History, vol. 32. no. 1, pp. 78–114.

Westermann, M. (2002) ‘After iconography and iconoclasm: current research in Netherlandish art, 1566–1700’, The Art Bulletin, vol. 84, no. 2 (June), pp. 351–72.

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