◄Previous: References

# Acknowledgements

This free course was written by Marchella Ward. Many thanks to Danny Pucknell, Emma Bridges and James Robson for their support and extremely helpful feedback on the content.

Except for third party materials and otherwise stated (see terms and conditions), this content is made available under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Licence.

The material acknowledged below is Proprietary and used under licence (not subject to Creative Commons Licence). Grateful acknowledgement is made to the following sources for permission to reproduce material in this free course:

Images

Course image: Simon_Arvin on Unsplash

Figure 1: from Fandom and licensed under https://creativecommons.org/licenses/by-sa/3.0/

Figure 2: akg-images / Erich Lessing

Figure 3: Photograph by Haukur Þorgeirsson from Fredrik Sander’s 1893 edition of the Poetic Edda.

Figure 4: A map that Al-Idrisi made for Roger II of Sicily in 1154 AD, from https://commons.wikimedia.org/wiki/File:Al-Idrisi%27s_world_map.JPG

Figure 5: Kahuroa

Figure 6: The Creation, The Battle of the Giants, Decaulion and Pyrrha and Apollo and the serpent.; PHAS / Contributor; Universal Images Group; Getty Images

Figure 7: © The Trustees of the British Museum; https://creativecommons.org/licenses/by-nc-sa/4.0/

Figure 8: Goran tek-en; https://creativecommons.org/licenses/by-sa/4.0/deed.en

Figure 9: Joel ARPAILLANGE; Getty Images

Figure 10: from The Monumental Statue of Ovid / The History of Romania in One Object, Romanian Cultural Institute in New York

Figure 11: Wally Reinhardt ‘Joves Makes Hercules a God’, 2013, Watercolor, gouache, Prismacolor colored pencil, graphite, and tape on prepared Arches paper, 18 x 33 in. New York University Art Collection. Gift of the artist, 2018.2.62

Figure 12: Ana Maria Pacheco, Tales of Transformations II, 1997-8, ©Ana Maria Pacheco. All Rights Reserved 2024/ Bridgeman Images, Repro courtesy of PRATT CONTEMPORARY, UK

Figure 13, top left: dpa picture alliance / Alamy Stock Photo; top right; OLIVIER HOSLET/EPA-EFE/Shutterstock; bottom left: City of Edinburgh Council Museums & Galleries; People’s Story, www.capitalcollections.org.uk; bottom right: courtesy of Phil Roeder

Figure 14: sneska; Getty Images

Figure 15: artist Sarah Young, from Greek Myths written by Ann Turnbull courtesy of Walker Books Limited

Figure 16: Zygmunt Waliszewski Diana and Actaeon | 1935 NationalMuseum in Poznan, photograph by Ablakok; https://creativecommons.org/licenses/by-sa/4.0/deed.en

Figure 17: © The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.

Figure 18: © Chris Ofili, courtesy the artist and Victoria Miro

Figure 19: Harvard Art Museums/Arthur M. Sackler Museum, Bequest of David M. Robinson

Figure 20: © courtesy of Dave Morgan

Figure 21: courtesy of Lino Bernabe Fernandez

Figure 22: By Internet Archive Book Images - https://www.flickr.com/photos/internetarchivebookimages/14783288925/Source book page: https://archive.org/stream/storyofgreatestn01elli/storyofgreatestn01elli#page/n586/mode/1up, Public Domain, https://commons.wikimedia.org/w/index.php?curid=42033593

Figure 23: photographer Jastrow (2006); https://en.wikipedia.org/wiki/Euphorbos_plate#/media/File:Plate_Euphorbos_BM_GR1860.4-4.1.jpg

Figure 24: from https://www.metmuseum.org/art/collection/search/198701; public domain

Figure 25: Alaskanspaceship; https://creativecommons.org/licenses/by-sa/4.0/

Figure 26: from Ovid and China, A Roman poet, 18th-century punch bowls and a Monmouth College professor; Barry McNamara | Published 2 November 2021

Activity 10: Left: ClemRutter; https://creativecommons.org/publicdomain/zero/1.0/deed.en; centre: Getty Museum Collection, https://creativecommons.org/publicdomain/zero/1.0/; right: © The Trustees of the British Museum; https://creativecommons.org/licenses/by-nc-sa/4.0/

Activity 12: Harvard Art Museum/Arthur M. Sackler Museum, Bequest of David M. Robinson

Activity 15: Diana and Actaeon, after Titian; National Galleries of Scotland; Bequeathed by George Watson through Art Fund, 2015; https://www.creativecommons.org/licenses/by-nc/4.0/deed.en

The Death of Actaeon; National Gallery, London, photographer: Carlo Bollo / Alamy Stock Photo

Text

Activities 1,13 and 17: 1.1–4, McCarter, Stephanie; Ovid’s Metamorphoses, Penguin 2022

Activity 3: Marchella Ward, The World that came from a Shell, Gods of the Ancient World, 2022, D K Publishing

Activity 13: Golding, Arthur; Metamorphoses, John Danter, 1567

Audio Visual

What Makes a Monster: courtesy of Anya Leonard, Classical Wisdom

What do we mean by Classical Reception: The Open University

About Face: The National Gallery

Every effort has been made to contact copyright owners. If any have been inadvertently overlooked, the publishers will be pleased to make the necessary arrangements at the first opportunity.

Don't miss out

If reading this text has inspired you to learn more, you may be interested in joining the millions of people who discover our free learning resources and qualifications by visiting The Open University – www.open.edu/openlearn/free-courses.

◄Contents►Next: Glossary

OpenLearn - Exploring Ovid’s big ideas
Except for third party materials and otherwise, this content is made available under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Licence, full copyright detail can be found in the acknowledgements section. Please see full copyright statement for details.