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# References

Boime, A. (1990) Art in an Age of Bonapartism, Chicago, University of Chicago Press.

Brookner, A. (1980) Jacques-Louis David, London, Chatto and Windus.

Delacroix, E. (1938) The Journal of Eugene Delacroix, trans. Walter Pach, London, Jonathan Cape.

Delécluze, É.-J. (1983) Louis David: Son ecole et son temps, ed. J.-P. Mouilleseaux, Paris, Macola (first published 1855).

Grigsby, D.G. (1995) ‘Rumor, contagion, and colonization in Gros's Plague-Stricken of Jaffa’, Representations, 51, Summer, pp. 1–46.

Johns, C.M. (1998) Antonio Canova and the Politics of Patronage in Revolutionary and Napoleonic Europe, Berkeley, University of California Press.

Johnson, D. (1993) Jacques-Louis David: Art and Metamorphosis, Princeton, Princeton University Press.

O'Brien, D. (1995) ‘Antoine-Jean Gros in Italy’, Burlington Magazine, 137, October, pp.651–60.

O'Brien, D. (2003) ‘Propaganda and the republic of the arts in Antoine-Jean Gros's Napoleon visiting the Battlefield of Eylau the Morning after the Battle’, French Historical Studies, vol.26, no.2.

Porterfield, T. (1998) The Allure of Empire: Art in the Service of French Imperialism 1798–1836, Princeton, Princeton University Press.

Prendergast, C. (1997) Napoleon and History Painting: Antoine-Jean Gros's ‘La Bataille d'Eylau’, Oxford, Oxford University Press.

Shelton, A.C. (1999) ‘The critical reception of Ingres's portraits (1822–1855)’, in G. Tinterow and P. Conisbee (eds) Portraits by Ingres: Image of an Epoch, New York, The Metropolitan Museum, pp.496–521.

Siegfried, S. (1980) ‘The politics of criticism at the Salon of 1806: Ingres's Napoleon Enthroned’, Proceedings of the Consortium on Revolutionary Europe 1750–1850, vol.2, pp.69–81.

Wrigley, R. (1993) The Origins of French Art Criticism from the Ancien Regime to the Restoration, Oxford, Oxford University Press.

Grigsby, D.G. (2002) Extremities: Painting Empire in Post-Revolutionary France, New Haven and London, Yale University Press.

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