Delacroix
Delacroix

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Delacroix

References

Athanassoglou-Kallmyer, N.M. (1991) Eugene Delacroix: Prints, Politics and Satire 1814–1822, New Haven and London, Yale University Press.
Brookner, A. (1971) The Genius of the Future, London and New York, Phaidon.
Brookner, A. (2000) Romanticism and its Discontents, London, Viking.
Carrington Shelton, A. (2000) ‘Ingres versus Delacroix’, Art History, vol.23, no.5, December, pp.726–42.
Eliot, S. and Whitlock, K. (eds) (1992) The Enlightenment: Texts, 2 vols, Milton Keynes, The Open University.
Gilpin, W. (1973) Observations, Relative Chiefly to Picturesque Beauty, Made in the Year 1772, on Several Parts of England; Particularly the Mountains, and Lakes of Cumberland, and Westmoreland, 2 vols, Richmond, Richmond Publishing Co. (first published 1786).
Goodman, J. (trans.) (1995) Diderot on Art, vol.1: The Salon of 1765 and Notes on Painting, New Haven and London, Yale University Press.
Gordon, G., Lord Byron (1970) Byron: Poetical Works, ed. F. Page, Oxford, Oxford University Press.
Grimaldo Grigsby, D. (1999) ‘“Whose colour was not black nor white nor grey, but an extraneous mixture, which no pen can trace, although perhaps the pencil may“: Aspasie and Delacroix's Massacres of Chios’, Art History, no.5, December, pp.676–704.
Grimaldo Grigsby, D. (2002) Extremities: Painting Empire in Post-Revolutionary France, New Haven and London, Yale University Press.
Hannoosh, M. (1995) Painting and the ‘Journal’ of Eugene Delacroix, Princeton, Princeton University Press.
Hugo, V. (1949) Préface de Cromwell suivie d’extraits d’autres préfaces dramatiques, Paris, Librairie Larousse (first published 1827).
Joannides, P. (2001) ‘Delacroix and modern literature’, in B.S. Wright (ed.) The Cambridge Companion to Delacroix, Cambridge, Cambridge University Press.
Jobert, B. (1998) Delacroix, Princeton, Princeton University Press.
Johnson, L. (1981) The Paintings of Eugene Delacroix: A Critical Catalogue 1816–1831, vol.1, Oxford, Clarendon Press.
Joubin, A. (ed.) (1996) Delacroix: Journal 1822–1863, Paris, Librairie Plon (first published 1931).
Lambertson, J.P. (2002) ‘Delacroix’s Sardanapalus, Champmartin’s Janissaries, and Liberalism in the late restoration’, Oxford Art Journal, vol.25, no.2, pp.65–86.
Nochlin, L. (1983) ‘The imaginary Orient’, Art in America, May, pp. 119–37.
Pach, W. (ed. and trans.) (1938) The Journal of Eugene Delacroix 1822–1863, London, Jonathan Cape.
Le Robert dictionnaire historique de la langue française (2000) Paris, Le Robert.
Said, E.W. (1991) Orientalism: Western Conceptions of the Orient, Harmondsworth, Penguin (first published 1978).
Sewell, B. (2001) ‘Masterpieces for 20 pence’, Evening Standard, 26 January.
Spector, J.J. (1974) Delacroix: The Death of Sardanapalus, Harmondsworth, Penguin.
Spitzer, A. (2001) ‘Delacroix in his generation’, in B.S. Wright (ed.)The Cambridge Companion to Delacroix, Cambridge, Cambridge University Press.
Stevens, M.A. (ed.) (1984) The Orientalists: Delacroix to Matisse, European Painters in North Africa and the Near East (exhibition catalogue), London, Royal Academy.
Stewart, J. (ed. and trans.) (1971) Eugene Delacroix: Selected Letters 1813–1863, London, Eyre and Spottiswoode.
ten-Doesschate Chu, P. (2001) ‘A science and an art all at once’, in B.S. Wright (ed.) The Cambridge Companion to Delacroix, Cambridge, Cambridge University Press.
Vaughan, W. (1978) Romanticism and Art, London, Thames and Hudson. Wilson-Smith, T. (1992) Delacroix: A Life, London, Constable.
Wright, B.S. (ed.) (2001) The Cambridge Companion to Delacroix, Cambridge, Cambridge University Press.
Wrigley, R. (1993) The Origins of French Art Criticism: From the Ancien Régime to the Restoration, Oxford, Clarendon Press.
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