An introduction to music research
An introduction to music research

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An introduction to music research


Bodleian Library (2011) ‘The Ballads Project’, in Bodleian Library Broadside Ballads [Online], Oxford, Bodleian Library. Available at ballads/ project.htm [Tip: hold Ctrl and click a link to open it in a new tab. (Hide tip)] (Accessed 20 May 2014).
Botstein, L. (2002) ‘Whose Gustav Mahler? Reception, interpretation, and history’, in Painter, K. (ed.) Mahler and His World, Princeton, NJ, Princeton University Press, pp. 1–53.
Brown, T. S. (2009) ‘Music as a Weapon? “Ton Steine Scherben” and the Politics of Rock in Cold War Berlin’, German Studies Review, vol. 32, no. 1, pp. 1–22. Available at: stable/ 27668653 (Accessed 15 December 2014).
Crist, E. (2006) ‘Mutual Responses in the Midst of an Era: Aaron Copland’s The Tender Land and Leonard Bernstein’s Candide’, The Journal of Musicology, vol. 23, no. 4, pp. 485–527. Available at: stable/ 10.1525/ jm.2006.23.4.485 (Accessed 15 July 2015).
Dennis, D. B. (1996) Beethoven in German Politics, 1870-1989, New Haven, Yale University Press.
Haas, M. (2014) Forbidden Music: The Jewish Composers Banned by the Nazis, Yale, Yale University Press.
Harpine, W. D. (2004) ‘“We Want Yer, Mckinley”: Epideictic Rhetoric in Songs from the 1896 Presidential Campaign’, Rhetoric Society Quarterly, vol. 34, no. 1, pp. 73-88. Available at: stable/ 40232421 (Accessed 17 November 2014).
Karlin, F. and Wright, R. (2004) On the Track: A Guide to Contemporary Film Scoring, 2nd edn, New York, Routledge.
Kramer, L. (2002) Musical Meaning: Toward a Critical History, Berkeley, CA, University of California Press.
Library and Archives Canada (2004) Glenn Gould: Later Career [Online]. Available at glenngould/ 028010-1040-e.html (Accessed 14 April 2014).
Radic, T. (ed.) (2004) Race Against Time: The Diaries of F.S. Kelly, Canberra, National Library of Australia.
Roy, W. and Dowd, T. (2010) ‘What is sociological about music?’, Annual Review of Sociology, vol. 36, pp. 183–203 [Online]. Available at (Accessed 20 March 2014).
Wierzbicki, J. (2008) ‘Hans Eisler and the FBI’, Music & Politics,vol. 2, no. 2. Available at: m/ mp/ 9460447.0002.202/ --hanns-eisler-and-the-fbi?rgn=main;view=fulltext (Accessed July 15 2015).
Winters, B. (2014) Music, Performance, and the Realities of Film: Shared Concert Experiences in Screen Fiction, New York and Abingdon, Routledge.

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