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# References

Arom, S. (1987 [1978]) Untitled CD liner notes. In Pygmées Aka: Centrafrique: Anthologie de la Musique des Pygmées Aka [CD liner notes]. Translated from the French by D. Stevens. Paris: Ocora C559012 13.

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Cook, S. (2014) ‘West Java’, in P. Yampolsky et al., ‘Indonesia’, Grove Music Online. Available at: https://www-oxfordmusiconline-com.libezproxy.open.ac.uk/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000042890 (Accessed: 23 July 2024).

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Marcus, S. (1993) ‘The Interface between theory and practice: Intonation in Arab music’, Asian Music, 24(2), pp. 39–58.

Mushāqa, M. (1913 [c.1840]) ‘Un traité de musique arabe moderne’ (Al risālah al-Shihābiyyah fī al-sināh’ah al-mūsīqiyyah [The Shihabi treatise of the musical art]), Mélanges de la Faculté orientale, Université Saint-Joseph, Beirut, 6, pp. 1–120. Edited and translated from the Arabic into the French with commentary by P. Ronzevalle. Available at: https://www.persee.fr/doc/mefao_0256-5587_1913_num_6_1_945 (Accessed: 23 July 2024).

Ngumu, P-C. (1976) Les Mendzaŋ des Chanteurs de Yaoundé: Histoire--Organologie--Fabrication--Système de transcription. Acta Ethnologica et Linguistica 34, Series Musicologica 2. Vienna: Elisabeth Stiglmayr.

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Palisca, C. V. and Pesce, D. (2009) ‘Guido of Arezzo’, Grove Music Online. Available at: https://www-oxfordmusiconline-com.libezproxy.open.ac.uk/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000011968 (Accessed: 23 July 2024).

Prame, E. (1997) ‘Vibrato extent and intonation in professional Western lyric singing’, The Journal of the Acoustical Society of America, 102(1), pp. 616–621.

Rahn, J. (1978) ‘Javanese pélog tunings reconsidered’, Yearbook of the International Folk Music Council, 10, pp. 69–82.

Stobart, H. (2013) ‘Staging sound: Acoustic reflections on Inca music, architecture and performance spaces’, in M. Stöckli and A.A. Both (eds) Flower World: Music Archaeology of the Americas / Mundo Florido: Arqueomusicología de las Américas, Vol. 2. Berlin: Ekho Verlag, pp. 11–35.

Suits, B.H. (1998) ‘Tuning: Frequencies for Equal-Tempered Scale, A4=440 Hz’, Physics of Music – Notes. Available at: https://pages.mtu.edu/~suits/notefreqs.html (Accessed: 23 July 2024).

Turino, T. (1989) ‘The coherence of social style and musical creation among the Aymara in southern Peru’, Ethnomusicology 33(1), pp. 1–30.

Vetter, R. (1989) ‘A retrospect on a century of gamelan tone measurements’, Ethnomusicology, 33(2), pp. 217–227.

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