# References

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Bent, I.D., Hughes, D.W., Provine, R.C., Rastall, R., Kilmer, A., Hiley, D., Szendrei, J., Payne, T.B., Bent, M., and Chew, G. (2014) ‘Notation’, Grove Music Online. Available at: https://www-oxfordmusiconline-com.libezproxy.open.ac.uk/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000020114 (Accessed: 23 July 2024).

Besouw, R.M.V., Brereton, J.S. and Howard, D.M. (2008) ‘Range of Tuning for Tones with and Without Vibrato’, Music Perception, 26(2), pp. 145–155.

Brinner, B. (2001) ‘Central Java’ in P. Yampolsky et al., ‘Indonesia (Bahasa Indon. Republik Indonesia)’, Grove Music Online. Available at: https://www-oxfordmusiconline-com.libezproxy.open.ac.uk/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000042890?rskey=jeNWaj#omo-9781561592630-e-0000042890-div1-0000042890.1 (Accessed: 23 July 2024).

Cook, S. (1992) Guide to Sundanese Music: A Practical Introduction to Gamelan Saléndro/Pélog, Gamelan Degung, Panambih Tembang Sunda. Bandung: self-published. Available at: https://archive.org/details/GuideToSundaneseMusic/page/n9/mode/2up (Accessed: 18 July 2024).

Cook, S. (2014) ‘West Java’, in P. Yampolsky et al., ‘Indonesia’, Grove Music Online. Available at: https://www-oxfordmusiconline-com.libezproxy.open.ac.uk/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000042890 (Accessed: 23 July 2024).

Davis, R. (2001) ‘Middle East and Central Asia: ‘”Maqām”, “Makom”’, in H.S. Powers et al., ‘Mode’, Grove Music Online. Available at: https://www-oxfordmusiconline-com.libezproxy.open.ac.uk/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000043718 (Accessed: 23 July 2024).

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Ellis, A.J. (1885) ‘On the musical scales of various nations’, Journal of the Society of Arts, 33(1688), pp. 485–527. Available at: https://soundandscience.de/text/musical-scales-various-nations (Accessed: 23 July 2024).

Fürniss, S. (2000) ‘Cadres de quartes, fluctuations d'intervalles et mutations pentatoniques dans la polyphonie vocale aka’, Musicae Scientiae, 5 (1_suppl), pp. 65–72.

Hood, M. (1966) ‘Slendro and pelog redefined, with a note on laboratory methods by Max Harrell’, Selected Reports in Ethnomusicology, 1(1), pp. 28–48.

Marcus, S. (1989) Arab Music Theory in the Modern Period. Unpublished PhD thesis. University of California, Los Angeles.

Marcus, S. (1993) ‘The Interface between theory and practice: Intonation in Arab music’, Asian Music, 24(2), pp. 39–58.

Mushāqa, M. (1913 [c.1840]) ‘Un traité de musique arabe moderne’ (Al risālah al-Shihābiyyah fī al-sināh’ah al-mūsīqiyyah [The Shihabi treatise of the musical art]), Mélanges de la Faculté orientale, Université Saint-Joseph, Beirut, 6, pp. 1–120. Edited and translated from the Arabic into the French with commentary by P. Ronzevalle. Available at: https://www.persee.fr/doc/mefao_0256-5587_1913_num_6_1_945 (Accessed: 23 July 2024).

Ngumu, P-C. (1976) Les Mendzaŋ des Chanteurs de Yaoundé: Histoire--Organologie--Fabrication--Système de transcription. Acta Ethnologica et Linguistica 34, Series Musicologica 2. Vienna: Elisabeth Stiglmayr.

Ngumu, P-C. (1980) ‘Modèle standard de rangées de carreaux pour transcrire les traditions musicales africaines du Cameroun’, Journal of the International Library of African Music, 6(1), pp. 52–58.

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Prame, E. (1997) ‘Vibrato extent and intonation in professional Western lyric singing’, The Journal of the Acoustical Society of America, 102(1), pp. 616–621.

Rahn, J. (1978) ‘Javanese pélog tunings reconsidered’, Yearbook of the International Folk Music Council, 10, pp. 69–82.

Stobart, H. (2013) ‘Staging sound: Acoustic reflections on Inca music, architecture and performance spaces’, in M. Stöckli and A.A. Both (eds) Flower World: Music Archaeology of the Americas / Mundo Florido: Arqueomusicología de las Américas, Vol. 2. Berlin: Ekho Verlag, pp. 11–35.

Suits, B.H. (1998) ‘Tuning: Frequencies for Equal-Tempered Scale, A4=440 Hz’, Physics of Music – Notes. Available at: https://pages.mtu.edu/~suits/notefreqs.html (Accessed: 23 July 2024).

Turino, T. (1989) ‘The coherence of social style and musical creation among the Aymara in southern Peru’, Ethnomusicology 33(1), pp. 1–30.

Vetter, R. (1989) ‘A retrospect on a century of gamelan tone measurements’, Ethnomusicology, 33(2), pp. 217–227.

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