5 καλός inscriptions

The verb ‘is’ or ‘are’ can be omitted in Greek if the meaning is clear.

Here the verb is implied and must be assumed by the reader. The Subject + Verb + Complement pattern can clarify how this works:

• ὁ παῖς: noun in the nominative case, i.e. subject
• : linking verb, omitted
• καλός: masculine, singular, nominative adjective, i.e. complement

The construction is perhaps more natural in Greek because of the use of case endings. Even without the verb ἐστί, the nominative cases imply a grammatical link between ‘the boy’ and ‘beautiful’. English, by contrast, needs to make the verb explicit. The non-standard English phrase ‘he beautiful’, while just about intelligible, would draw attention to itself in a way that ὁ παῖς καλός does not.

The inscription ὁ παῖς καλός is taken from a Greek vase. A number of these so-called ‘καλός inscriptions’ praising youthful beauty survive from the sixth and fifth centuries, with more than 300 found on Athenian vases. The subject of a καλός inscription is usually named and generally male, although a few female names are found. The named individual is not usually the figure depicted on the vase, which means the inscription is not a label but probably refers to a contemporary youth. Some names, such as Miltiades, are familiar from historical events, although it is difficult to prove a connection between a historical figure and a καλός inscription.