writing

Courses tagged with "writing"

David Lodge's 2004 novel Author, Author is an account of the author Henry James, mixing fact and fiction throughout.
The Open University's Nicholas Foxton explores the story of how minority voices came to enrich and save British fiction from 1970 onwards
Dr Peter Lawson explores modernism in preparation for the first episode of In Their Own Words: British Novelists which will cover the ruins of war

Crime fiction is the most popular literary genre in Europe today. Watch a discussion between The Open University’s Bill Alder and distinguished crime fiction author Simon Brett OBE on the past, present and future of crime fiction.

Category: Psychology

This article will consider how the figure of the outlaw is presented in early twentieth-century American folk music. What is constant, and what changes? What lies behind these strands of imitation and innovation?

Category: Psychology

The popularity of crime fiction is on the rise. Bill Alder looks back and charts the history of this genre in post-1945 Europe. 

Category: Psychology
Develop the English reading and writing skills needed for university success.
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Please note: This is course is due to be archived on Wednesday 21st December. You can study the course up until this date. For learners who have completed the course, the Statement of Participation will remain in your learner records in your OpenLearn profile.
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What are the differences between spoken and written English? Is use of grammar more or less complex than it appears? This free course, English grammar in context, looks at the way grammar can be used as a tool for adapting our communications (both written and spoken). This OpenLearn course will help you to see how language is intertwined with both describing a view of the world and interacting with others in that world.
Category: Education
Teresa Cremin, Professor of Literacy in Education at The Open University explores whether we nurture young people’s enjoyment in writing.
Teresa Cremin, Professor of Literacy in Education at The Open University explores whether we offer young writers enough opportunities for ‘writing from the heart’
Teresa Cremin, Professor of Literacy in Education at The Open University explores whether children are given enough autonomy when it comes to writing.
Discover these free English Literature and Creative Writing courses on OpenLearn.
In the last century which women writers have truly challenged the existing forms of literature? How did they make their voices heard using brand new techniques and styles? For centuries there have been women writers who have changed the face of literature, but we tend to talk of their lives and work in very certain terms. This series of video-slideshows reveals how writing and reputation are often forged in transition, uncertainty and change. In these 4 films we re-examine the lives, work and influence of: Virginia Woolf, Jean Rhys, Katherine Mansfield and Jeanette Winterson.

This material forms part of the Open University course A300 20th century literature: texts and debates.
Renowned as one the key figures of Romanticism, William Wordsworth broke through poetic traditions and barriers to produce verse that redefined the principles underlying the writing of poetry, placing the poet's emotions and interaction with a natural, pastoral world at the centre of poetic philosophy. Wordsworth's influences are a topic of immense academic debate, and this album provides a concise and distinct introduction to the many literary, political and cultural shifts that informed and inspired one of literature's most breathtakingly beautiful movements. This material forms part of The Open University course A207 From Enlightenment to Romanticism c.1780-1830.
The tracks on this album offer an invaluable insight into a wide range of techniques and practices surrounding Creative Writing. Writers as diverse as Alan Ayckbourn, Ian McMillan and Tanika Gupta talk openly about their approaches and attitudes to all aspects of writing from original concept to final drafts and productions. Writing for stage, print, television and radio is discussed in engaging and articulate detail. This material forms part of The Open University course A363 Advanced creative writing.
How does a poet represent two distinctly different cultures in their work? How did James Berry interpret his experience and those of other Jamaican’s that migrated to England in the late 1940’s into his writing? James Berry was born in Jamaica in 1924, but moved to England during the wave of immigration from the West Indies led by the Empire Windrush. From a young age Berry had an interest in language, and showed an aptitude for spoken word and through writing soon realised he could explore the world from different perspectives. He became part of a new generation of post-colonial poets who drew inspiration from their country of birth in addition to British culture. This album focuses on a selection of poems from his collection titled Windrush songs.

This material forms part of The Open University course A230 Reading and studying literature.
This album provides the budding author with everything they need to know about approaching the art of fiction writing. Each track contains discussions and interviews with best-selling novelists from a variety of backgrounds including Alex Garland, Louis de Bernières, Abdulrazak Gurnah and Monique Roffey. This enlightening and engaging series tackles the practicalities and pitfalls of writing fiction. It contains invaluable advice on the creation of characters, the structure of narratives and how to turn an idea into the book you’ve always wanted to write. This material forms part of The Open University course A174 Start writing fiction. (New and updated content added July 2009)
Poetry is a delicate and intricate art form, practised by many people but rarely mastered. In this album, poets Jackie Kay, Paul Muldoon, W.N. Herbert and Jean Breeze talk about their respective approaches and attitudes to poetry. They explore many aspects of their craft, from the initial spark of inspiration and rewriting to more technical matters such as rhyme, using real speech and narrative poetry. This material forms part of the course A175, Writing poetry.
Donatien Alphonse François, better known as The Marquis de Sade, is infamous throughout literature and popular culture for a life and body of work that pushed boundaries. Literally synonymous with sexual and violent excess, his reputation as a writer is often clouded by the extreme nature of his work. In a series of lively and engaging discussions, Alex Barber, Angelica Goodden and Timo Airaksinen re-assess both the man and his writing in social, historical and literary contexts, providing an insight into an often-misunderstood figure with much to say about the culture that produced him. This material forms part of The Open University course A207 From Enlightenment to Romanticism c.1780-1830.
Which writers were fast friends - and who had book-throwing beefs? Unpick the cliques and clans of 20th century literature