Across Europe, similar tropes – such as ‘protecting children,’ ‘defending free speech,’ or ‘resisting foreign influence’ — recur, but they take on different meanings depending on each country’s historical legacies, media systems, and power structures.
| ‘Anti-gender’ actors do not rely on a single fixed narrative. Instead, they adapt their language, targets, and emotional appeals to local political cultures and moments of public anxiety. |
This opportunism is central to ‘anti-gender’ politics. Messages are selected not for their coherence but for their resonance. They are used to mobilise fears, moral values, or nationalist sentiment, depending on what feels most urgent to the audience. While the specific vocabulary varies, the emotional logic remains consistent: a call to defend family, nation, or truth against a perceived moral threat.
Having seen how media constructs antagonism at the level of public attitudes, we now look at how these narratives adapt across contexts and why some tropes resonate differently in different European countries.