2. Eco Terminology

There is much debate over eco terminology as this branch of the subject continues to develop rapidly. In general, most designers will refer relatively loosely to eco-design or sustainable design. Those working in recycling will point generally to this as their abroad area of activity. Champeney (2006), however, has questioned the tendency for environmentalists to impose an environmental value to all objects made using recycled materials. It is important to establish here that eco-design does not deal with the fundamental question of whether a product is really needed in the full context of sustainability. To do this, we need to explore other elements such as: cultural attitudes, value systems, ethics, equity and access into design processes. Design for recycling and recycleability is often seen as the easy option when energy efficiency or reduced emissions may result in less environmental impact (Goggin and Dewberry, 1997). Turning rags to rugs and tin into jewellery is nothing new (Press, 1997).

The challenge for the manufacturer then is to focus on design-led thinking, the psychology of the designer, the intricate process of trade-offs that may arise and the creative and aesthetic opportunities that designing for sustainability presents.

Thinking Questions

  1. Are eco-preneurs motivated by a true desire to push change or simply looking for a niche to exploit?
  2. In what ways are they networking and how much is it integral to their success?
  3. Where do they fit into mainstream product design?
  4. How are they influencing the aesthetics of sustainable product design?

Answer

  1. Some are committed to the cause, some out for the main chance others a mix of the two.
  2. It depends who you talk to. Again, some are and some prefer to work in isolation.
  3. Some do and sometimes for large organisations such as Leitz, for example.
  4. Well, look at the Sony range of electronic products and you'll see some stunning ergonomics but then perhaps Bang and Olufsen steals the show here?

1. Political Background

3. New Thinking