Skip to content
Skip to main content

About this free course

Download this course

Share this free course

An introduction to music research
An introduction to music research

Start this free course now. Just create an account and sign in. Enrol and complete the course for a free statement of participation or digital badge if available.

References

Burt, G. (1994) The Art of Film Music: Special Emphasis on Hugo Friedhofer, Alex North, David Raksin, Leonard Rosenman, Boston, Northeastern University Press.

Winters, B. (2007a) ‘Catching dreams: editing film scores for publication’, Journal of the Royal Musical Association, vol. 132, no. 1, pp. 115–40 [Online]. Available at http://www.jstor.org.libezproxy.open.ac.uk/stable/30152960 (Accessed 28 February 2014).

Winters, B. (2007b) Erich Wolfgang Korngold’s The Adventures of Robin Hood: A Film Score Guide, Lanham, MD, Scarecrow Press.

Winters, B. (2012a) ‘Superman as mythic narrative: music, Romanticism, and the “oneiric climate”’, in Halfyard, J.K. (ed.) Magic, Myth and Monsters: Music, Sound and Fantasy Cinema, Sheffield, Equinox Press, pp. 111–31.

Winters, B. (2012b) ‘Musical wallpaper? Towards an appreciation of non-narrating music in film’, Music Sound and the Moving Image, vol. 6, no. 1, pp. 39–54 [Online]. Available at Art Full Text (H.W. Wilson), EBSCOhost (Accessed 28 February 2014).

Winters, B. (2014a) ‘Swearing an oath: Korngold, film and the sound of resistance?’ in Levi, E. (ed.) The Impact of Nazism on Twentieth-Century Music, Vienna, Böhlau Verlag, pp. 61–76.

Winters, B. (2014b) Music, Performance, and the Realities of Film: Shared Concert Experiences in Screen Fiction, New York, Routledge.