Skip to content
History & The Arts
Featured content
Free courses
All content

Selling Empire: The Empire Marketing Board

Updated Sunday 20th January 2013

Explore the origins and role of one iconic Empire marketing institution – the Empire Marketing Board (EMB) was founded in May 1926 to encourage Empire trade, and given committees for research, marketing, and publicity.

This page was published over five years ago. Please be aware that the information provided on this page may be out of date, or otherwise inaccurate due to the passage of time. For more detail, see our Archive and Deletion Policy. 

What was the Empire Marketing Board? 

The Empire Marketing Board (EMB) was founded in May 1926, as a small government body with committees for research, marketing and publicity.  Much of its effort went into encouraging research and analysis, including into how to improve the quality, storage and distribution of British and colonial produce. 

It was set up with the Secretary of State for the Colonies (then Leopold Amery) as its Chairman, with a civil servant (Stephen Tallents, Sir Stephen from 1932) as its Secretary. 

But it also employed people from the media, advertising and commercial world more generally, as well as giving commissions to some of the most talented poster artists of the day. The 1928 poster ‘Colombo, Ceylon’, for instance, was made for the ‘Our Trade with the East’ series by Kenneth D. Shoesmith. Shoesmith was already famous for his pictures of ocean ships and liners, and for depicting them in their exotic if not romanticised destinations.

‘Colombo Ceylon’, by Kenneth D. Shoesmith; 60 x 40 ins, displayed December 1928; Waterlow and Sons Ltd, London; from the ‘Our Trade with the East’ series of posters; EMB ref AD1 Copyrighted image Icon Copyright: The National Archives 'Colombo Ceylon', by Kenneth D. Shoesmith; 60 x 40 ins, displayed December 1928; Waterlow and Sons Ltd, London; from the 'Our Trade with the East' series of posters; EMB ref AD1;
The EMB nevertheless had a fairly small budget, which was further cut due to general austerity measures in the depression, with the organisation as a whole being disbanded in September 1933. 

After its demise, the film collection it had built up at the Imperial Institute in London changed hands, but was still maintained there. Influential EMB personnel such as Sir Stephen Tallents also took their ideals and experience to new bodies, such as the General Post Office. 

Why did a power that spanned a quarter of the globe need to persuade people to ‘Buy Empire’?  

Despite other countries increasing tariffs on British exports, Britain had failed to establish ‘Empire Preference’. A 1923 imperial conference suggested Britain should charge tariffs on imports while exempting Empire produce. But this might raise food prices, and the issue contributed to Conservative losses in 1923 elections. 

When the Conservatives came to power in October 1924, therefore, they were acutely aware that Britain’s traditional commitment to free trade and its hunger for cheap food imports still made ‘Imperial Preference’ politically toxic. They were not yet willing to risk raising tariffs on non-Empire imports. 

They also wanted to boost Empire sentiment and links more generally, at a time when jingoistic appeals had become less potent in the wake of grinding trench warfare. In addition, the notion of imperial control as trusteeship – rule that should be specifically for the benefit of the ruled – was growing, as was the electoral strength of a Labour Party that was generally more suspicious of imperialism.  

The Conservative Government’s solution to these dilemmas was the EMB, in the hope that it could boost empire trade by raising the quality of British and colonial produce, and by influencing consumer behaviour.

The EMB’s marketing, meanwhile, marked a wider shift in emphasis: from empire as an arena for military prowess and the display of superior metropolitan character; towards Empire as an actively interacting economic and cultural community, and a way of enriching metropole and colonies alike. 

Copyrighted image Icon Copyright: The National Archives (TNA) CO956/225 'Canadian Lumbermen', by Frank Newbould, from the 'The Empire is Still Building' series of posters; 60 x 40 ins; displayed September-October 1930; (TNA) CO956/225
 
Typically, not just EMB posters but other Empire collections of the time, such as sets of cigarette cards, portrayed the home country alongside colonies. These sorts of juxtaposition suggested a sense of community, a shared way of life, and (for the self-governing settler Dominions) kinship. The EMB’s 1931 ‘Buy British’ campaign illustrates this nicely. From its November 1931 launch, it emphasised buying British, first, Empire next, and foreign last. The Empire, it argued, was Britain’s best customer, and so buying their produce indirectly supported British jobs. 

What killed the Empire Marketing Board? 

The board’s demise in 1933 was partly due partly due to severe government cuts, which had already eroded its budget. But it was also due to Imperial Preference becoming politically viable. The World Depression held down commodity prices, reduced world trade generally, and saw tariffs and barriers against British and Empire exports rise. The 1932 Empire Economic Conference in Ottawa saw Britain and the Dominions agree to implement Imperial Preference, and by 1 October 1933 the EMB was gone.

Explore the Selling Empire collection


 

For further information, take a look at our frequently asked questions which may give you the support you need.

Have a question?

Related content

More like this