Acknowledgements

This course was written by Dr Phil Perkins

Except for third party materials and otherwise stated (see terms and conditions [Tip: hold Ctrl and click a link to open it in a new tab. (Hide tip)] ), this content is made available under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Licence

Course image: Dennis Jarvis in Flickr made available under Creative Commons Attribution-ShareAlike 2.0 Licence.

Figure 1 Photo © Phil Perkins

Figure 2 Photo © Moscioni / German Archæological Institute, Rome

Figure 3 Photo © Phil Perkins

Figure 4 Photo © Sichtermann / German Archæological Institute, Rome

Figure 5 Photo © Phil Perkins

Figure 6 Photo © Phil Perkins

Figure 7 Photo © Phil Perkins

The video extracts are taken from AA309 produced by the BBC on behalf of the Open University © 2000 The Open University.

Plate 1 adapted from Poinsett, C. (1983) ‘Les Ruines de Dougga’, Tunis, Ministers des Affaires Culturelles, Institute National d’Archeolgie et d’Arts

Plate 2 adapted from Poinsett, C. (1983) ‘Les Ruines de Dougga’, Tunis, Ministers des Affaires Culturelles, Institute National d’Archeolgie et d’Arts

Plate 4 Photo © Musée National du Bardo, Tunis

Plate 5(a) Johns, C. (1971) ‘Arretine and Samian Pottery’, London, British Museum Press, © British Museum

Plate 5(b) Hayes, J.J.V. (1997) ‘Handbook of Mediterranean Roman Pottery’, London, British Museum Press, ©British Museum

Plate 6 Photos © Musée National du Bardo, Tunis

Plate 7 Photo © German Archæological Institute, Rome, DAI846497

Plate 8 Photo © Musée National du Bardo, Tunis

Colour Plate 5 Photo © Gilles Mermet

Colour Plate 6 Photo © Musée National du Bardo, Tunis

Colour Plate 7 Photo © Musée National du Bardo, Tunis

Colour Plate 8 Photo © Musée National du Bardo, Tunis

Grateful acknowledgement is made to the following sources for permission to reproduce material in this course:

All other materials included in this course are derived from content originated at the Open University.

Every effort has been made to contact copyright owners. If any have been inadvertently overlooked, the publishers will be pleased to make the necessary arrangements at the first opportunity.

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