History & The Arts
Ian McMillan's Writing Lab interviews: Mark Ravenhill on... play writing
...money, and blah, blah, blah, blah and so on, but actually if you know all that stuff, they will gradually reveal it through the dialogue, and if they don't reveal it through the dialogue, it probably means that it wasn't necessary anyway. So gradually, I think, you learn to let go of that kind of fear that somehow you've got to force the characters to tell all this stuff...