History & The Arts
Helen Langdon's ‘Caravaggio’
...type’ (Wittkower, 1961, p. 295) – as melancholic or outsider has prevailed, not least because it gave painters the same character, and thus status, Aristotle had ascribed to poets. Later it achieved renewed effect during the Romantic period in the idea of the ‘bohemian’ artist or poet. Still to this day the paradigm that artists are in some way ‘different’...