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...works by women composers...In this series of videos, Laura Hamer from The Open University discusses classical music programming and how it can be diversified by performing more music by women composers with Gabriella Di Laccio (Donne Women in Music), Róisín Maher (Finding A Voice Music Festival), Tim Parker-Langston (Hensel Songs Online), Stephan Meier (BCMG), Angela...

...works by women composers. The 6-week course considers the male-dominated nature of the contemporary classical music industry and how to programme more women. It offers practical advice on diverse programming, funding, building audiences, finding scores and resources, and how to promote the work of living women composers. The course is illustrated throughout by interviews...

...social identity approach, which suggests a distinction between physical crowds (where people are simply in one place) and psychological crowds (where people in a physical crowd share a common self-definition – a social identity). A group of people at an event may all see themselves and each other as Muslims, Manchester United supporters, or music lovers, for example....

...social media already for being too slim, not busty, and not fit enough to play the part, but this should not be surprising given that women tend to be more heavily criticised on appearances. Not only is there a complete lack of women in superhero films, but the women are either cast as damsels in distress (e.g. Lois Lane) which serves to infantilise women, or as sidekicks...