History & The Arts
Art and visual culture: medieval to modern
...become the dominant pictorial form by 1600. Unlike an altarpiece or a fresco, this kind of picture has no fixed place; instead, its frame serves to separate it from its surroundings, allowing it to be hung in almost any setting. Its value lies not in any use as such, but in the ease with which it can be bought and sold (or what Marxists call its ‘exchange value’). In...