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...English seafaring triumph using appropriately strong, forthright and rumbustious melodies. In contrast, John Ireland's setting of John Masefield's Sea Fever (1913) is an elegiac celebration of the freedom of the open sea drawing on a romantic idealisation of the seafaring life central to ideas of British identity. [Henry Wood] William Walton's (1902-1983) overture...

...English dead! In peace there's nothing so becomes a man As modest stillness and humility: But when the blast of war blows in our ears, Then imitate the action of the tiger; Stiffen the sinews, conjure up the blood, Disguise fair nature with hard-favoured rage; Then lend the eye a terrible aspect; Let it pry through the portage of the head Like the brass cannon; let the...

...English word ‘religion’. However, their world was populated by numerous figures they both recognised and worshipped as divinities. Among these figures was Amphiaraos, an ancient Greek hero who was later worshipped as a god and popularly associated with healing through the medium of dreams. But there was no sacred book (like those which exist in many religions today)...