The tracks on this album offer an invaluable insight into a wide range of techniques and practices surrounding Creative Writing. Writers as diverse as Alan Ayckbourn, Ian McMillan and Tanika Gupta talk openly about their approaches and attitudes to all aspects of writing from original concept to final drafts and productions. Writing for stage, print, television and radio is discussed in engaging and articulate detail. This material forms part of The Open University course A363 Advanced creative writing.
Track 1: Tanika Gupta on Voice
Prolific author Tanika Gupta talks about stagecraft, highlighting the importance of voice and comic idiom in her writing.
Drawing on his intimate knowledge of the theatre, Alan Ayckbourn offers an insight into the varius methods of staging, drawing a link between his own work and theatre in the round.
Alan Ayckbourn and Staging
Jane Rogers talks about her work as a novelist, and the methods of storytelling and voice she employs. She brings together various forms and approaches, such as the use of cinematic editing techniques, in her novels
Jane Rogers as Novelist
Jane Rogers talks about her work in terms of viewing herself as a contemporary novelist. She draws links to literary greats, and techniques like 'the unreliable narrator'.
Approaches to Contemporary Fiction
Dorothy Sheridan, director of the Mass Observation Archive at the University of Sussex, talks about the archive in terms of a research tool and a repository of unique material.
The Mass Observation Archive
Author Liz Jensen talks about her novels and how they develop in terms of storyline, plot, character and voice, How she often rejects planning in favour of a more organic approach to her work.
Liz Jensen, Development and Decisions
Hilary Mantel talks about the importance and influence television and film have had on her development as a writer. The paragraph as the basic building block of fiction, and how this can generate a successful narrative.
Hilary Mantel on Film and Drama
Hilary Mantel uses examples and a reading from her own novel Vacant Possession, to examine the use of rhetoric and rhythm, and how they can seed ideas in a reader and build up the relationship between reader and text.
Rhetoric and Rhythm
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Originally published: Monday, 10 November 2008
Body text - Content : Copyright The Open University 2008