The tracks on this album offer an invaluable insight into a wide range of techniques and practices surrounding Creative Writing. Writers as diverse as Alan Ayckbourn, Ian McMillan and Tanika Gupta talk openly about their approaches and attitudes to all aspects of writing from original concept to final drafts and productions. Writing for stage, print, television and radio is discussed in engaging and articulate detail. This material forms part of The Open University course A363 Advanced creative writing.
Track 6: Alan Ayckbourn and Staging
Drawing on his intimate knowledge of the theatre, Alan Ayckbourn offers an insight into the varius methods of staging, drawing a link between his own work and theatre in the round.
Prolific author Tanika Gupta talks about stagecraft, highlighting the importance of voice and comic idiom in her writing.
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Tanika Gupta on Voice
Playwright Helen Blakeman sees setting as integral to a play’s success and highlights the supporting importance of factors such as structure and voice.
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Helen Blakeman and Setting
Playwriting master Alan Ayckbourn reveals how he develops and connects ideas for his plays, and the meticulous process of structuring and ‘building’ a script.
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Developing the Idea
Alan Ayckbourn's work as a director, and how this informs his writing. The economy of playwriting, and the writer’s awareness of the limitations of the stage.
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Alan Ayckbourn as Director
Drawing on his intimate knowledge of the theatre, Alan Ayckbourn offers an insight into the varius methods of staging, drawing a link between his own work and theatre in the round.
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Alan Ayckbourn and Staging
Renowned writer David Edgar discusses his ideas on Aristotle’s unities, linking this to ways of adapting existing works.
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Adaptation and Breakdowns
Novelist and playwright Jane Rogers talks about the transition of one of her novels, Mr. Wroe’s Virgins, into a four part television series.
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Jane Rogers on Adapting for Television
Jane Rogers talks about her work as a novelist, and the methods of storytelling and voice she employs. She brings together various forms and approaches, such as the use of cinematic editing techniques, in her novels
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Jane Rogers as Novelist
Jane Rogers talks about her work in terms of viewing herself as a contemporary novelist. She draws links to literary greats, and techniques like 'the unreliable narrator'.
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Approaches to Contemporary Fiction
Dorothy Sheridan, director of the Mass Observation Archive at the University of Sussex, talks about the archive in terms of a research tool and a repository of unique material.
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The Mass Observation Archive
Author Liz Jensen talks about her novels and how they develop in terms of storyline, plot, character and voice, How she often rejects planning in favour of a more organic approach to her work.
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Liz Jensen, Development and Decisions
Novelist Liz Jensen talks about narrative viewpoints, and their benefits and shortcomings in terms of storytelling.
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Structure, Revision and Theme
Hilary Mantel talks about the importance and influence television and film have had on her development as a writer. The paragraph as the basic building block of fiction, and how this can generate a successful narrative.
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Hilary Mantel on Film and Drama
Hilary Mantel uses examples and a reading from her own novel Vacant Possession, to examine the use of rhetoric and rhythm, and how they can seed ideas in a reader and build up the relationship between reader and text.
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Rhetoric and Rhythm
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Originally published: Monday, 10 November 2008
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Body text - Content : Copyright The Open University 2008
Inspiring and Eye opening. Interesting to hear how the ‘first draught’ has a natural cadence in an oratorial style, and that if you change one word, you often need to rewrite everything. This is like when I paint a canvas that I suddenly feel is finished… and then say ‘Oh but, I just need to change this little bit’ and I end up having to repaint everything to balance with that new bit. Somehow it was ‘cut from a different cloth’ and appeared like a new patch on an old piece of clothing.
poem about a vest,this is my kind of poetry,full of nonsense. Its how I tend to write as well,i pluck words out of the air,I always write in ryhme which is a must
Sowhen I heardnhis poem ,immediately plucked up my ears. So ,I was going to opt out as ,all I could hear,up till now ,was what I call ,pretenious rubbish
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Sowhen I heardnhis poem ,immediately plucked up my ears. So ,I was going to opt out as ,all I could hear,up till now ,was what I call ,pretenious rubbish