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Diversifying classical music programming: performing more women composers

Updated Monday, 23 June 2025

Why is classical music repertoire so dominated by male composers and how can this be challenged? This series of videos explores how to diversify classical music programming by performing more works by women composers.

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In this series of videos, Laura Hamer from The Open University discusses classical music programming and how it can be diversified by performing more music by women composers with Gabriella Di Laccio (Donne Women in Music), Róisín Maher (Finding A Voice Music Festival), Tim Parker-Langston (Hensel Songs Online), Stephan Meier (BCMG), Angela Slater (Illuminate Women’s Music), and Deborah Keyser (Tŷ Cerdd/Music Centre Wales).

This video explores some of the biggest challenges which those wishing to programme more music by women face. 

PDF document Transcript 54.2 KB

This video explores potential solutions to performing more music by women.

PDF document Transcript 50.4 KB

This video explores building audiences for women’s music, securing funding, and curating programmes.

PDF document Transcript 57.2 KB

This video explores creating new performance editions of historic women composers’ works.

PDF document Transcript 99.8 KB

This video explores championing and commissioning new works from contemporary women composers and working towards gender balanced programming.

PDF document Transcript 52.1 KB

This video explores building programmes of women’s music, ensuring long-term financial sustainability for the performance of women’s music, and building new audiences for women composers’ works.

PDF document Transcript 60.5 KB

This video explores diversifying programming and thinking about accessibility within the classical music industry more broadly.

PDF document Transcript 66.8 KB

 

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