2.8 Further reading

Gombrich, E.H. (1971) ‘Psycho-analysis and the history of art’ in Meditations on a Hobby Horse (2nd edn), London, Phaidon, pp. 30–44.

Iseminger, G. (ed.) (1992) Intention and Interpretation, Philadelphia, Temple University Press.

Shiff, R. (1996) ‘Originality’ in Shiff, R. and Nelson, R.S. (eds) Critical Terms for Art History, Chicago and London, The University of Chicago Press, pp. 103–15.

Soussloff, C.M. (1997) ‘The artist in myth: early psychoanalysis and art history’ in The Absolute Artist: The Historiography of a Concept, Minneapolis, University of Minnesota Press, pp. 112–37.

Spitz, E.H. (1985) Art and Psyche: A Study in Psychoanalysis and Aesthetics, New Haven and London, Yale University Press.