References
Section 1
Barker, E. et al. (1999) The Changing Status of the Artist, New Haven and London, Yale University Press in association with The Open University.
Hibbard, H. (1983) Caravaggio, London, Thames and Hudson.
Kant, I. (1987) Critique of Judgment (trans. W.S. Pluhar), Indianapolis, Hackett.
Kris, E. and Kurz, O. (1979) Legend, Myth, and Magic in the Image of the Artist: A Historical Experiment, New Haven and London, Yale University Press.
Langdon, H. (1998) Caravaggio: A Life, London, Pimlico Press (first published 1998, Chatto and Windus Ltd).
Langdon, H. (1999) ‘Sources for the life of Caravaggio’, The Times Literary Supplement, 30 April, p. 19.
Soussloff, C.M. (1990) ‘Lives of poets and painters in the Renaissance’ in Word and Image, vol. 6, no. 2, pp. 154–62.
Soussloff, C.M. (1997) ‘The artist in nature: Renaissance biography’ in The Absolute Artist: The Historiography of a Concept, Minneapolis, University of Minnesota Press, pp. 43–72.
Thomas, G.M. (2002) ‘Instituting genius: the formation of biographical art history in France’ in Mansfield, E. (ed.) Art History and its Institutions: Foundations of a Discipline, London and New York, Routledge, pp. 260–70.
White, H. (1980) ‘The value of narrativity in the representation of reality’, Critical Enquiry, vol. 7, no. 1, pp. 5–27.
Wittkower, R. (1961) ‘Individualism in art and artists: a Renaissance problem’, Journal of the History of Ideas, vol. 22, no. 3, pp. 291–302.
Woods-Marsden, J. (1998) Renaissance Self-portraiture, New Haven and London, Yale University Press.
Section 2
Barthes, R. (1977) Image, Music, Text, London, Fontana.
Berenson, B. (1953) Caravaggio: His Incongruity and his Fame, London, Chapman and Hall.
Bersani, L. and Dutoit, U. (1998) Caravaggio's Secrets, Cambridge, MA, MIT Press.
Carrier, D. (1991) ‘Caravaggio: the construction of an artistic personality’ in Principles of Art History Writing, University Park, Pennsylvania State University Press, pp. 49–79.
Freud, S. (1963) Leonardo da Vinci and a Memory of his Childhood (trans. A. Tyson), Harmondsworth, Penguin Books.
Gash, J. (2000) ‘Review of Helen Langdon's Caravaggio’, Burlington Magazine, vol. 142, no. 1199 , pp. 310–11.
Gilbert, C.E. (1995) Caravaggio and his Two Cardinals, University Park, Pennsylvania State University Press.
Gombrich, E.H. (1971) Meditations on a Hobby Horse (2nd edn), London, Phaidon.
Hibbard, H., 1983. Caravaggio, London: Thames and Hudson.
Jenkins, A. (1999) ‘Review of Helen Langdon's Caravaggio’, The Times Literary Supplement, 9 April, p. 14.
Kemp, M. (1987) ‘“Equal Excellences”: Lomazzo and the explanation of individual style in the visual arts’, Renaissance Studies, vol. 1, no. 1, pp. 1–26.
Kris, E. and Kurz, O. (1979) Legend, Myth, and Magic in the Image of the Artist: A Historical Experiment, New Haven and London, Yale University Press.
Perry, G. (1999) Academies, Museums and Canons of Art, New Haven and London, Yale University Press in association with The Open University.
Rubin, P. (1995) Giorgio Vasari: Art and History, New Haven and London, Yale University Press.
Saslow, J.M. (1986) Ganymede in the Renaissance: Homosexuality in Art and Society, New Haven and London, Yale University Press.
Soussloff, C.M. (1997) ‘The artist in nature: Renaissance biography’ in The Absolute Artist: The Historiography of a Concept, Minneapolis, University of Minnesota Press, pp. 42–72.
Wimsatt, K. (1954) The Verbal Icon, Lexington, University of Kentucky Press.
Wimsatt, K. and Beardsley, M. (1946) ‘The intentional fallacy’, Sewanee Review, vol. 54, pp. 468–88. Reprinted in Wimsatt, 1954.
Section 3
Alberti, L.B. (1991) On Painting, Harmondsworth, Penguin Classics.
Bal, M. (1999) Quoting Caravaggio: Contemporary Art, Preposterous History, Chicago and London, The University of Chicago Press.
Baxandall, M. (1985) Patterns of Intention: On the Historical Interpretation of Pictures, New Haven and London, Yale University Press.
Bersani, L. and Dutoit, U. (1998) Caravaggio's Secrets, Cambridge, MA, MIT Press.
Carrier, D. (1991) ‘Caravaggio: the construction of an artistic personality’ in Principles of Art History Writing, University Park, Pennsylvania State University Press, pp. 49–79.
Freedberg, S.J. (1983) Circa 1600: A Revolution of Style in Italian Painting, Cambridge, MA, Harvard University Press.
Gombrich, E.H. (1966) ‘Raphael's Madonna della Sedia’, Norm and Form, London, Phaidon, pp. 64–80.
Langdon, H. (1998) Caravaggio: A Life, London, Pimlico Press (first published 1998, Chatto and Windus Ltd.).
Langdon, H. (1999) ‘Sources for the life of Caravaggio’, The Times Literary Supplement, 30 April, p. 19.
Langdon, H., (2000) ‘Review of Mieke Bal's Preposterous History’, Art History, vol. 23, no. 3, pp. 468–70.
Margolis, J. (1993) ‘Interpreting art and life’ in Lectures on the Philosophy of Art, University Park, Pennsylvania State University Press.
Minsky, R. (1992) ‘Lacan’ in Knowing Women: Feminism and Knowledge, Cambridge, Polity Press in association with The Open University Press, pp. 188–205.
Preziosi, D. (1998) The Art of Art History, Oxford, Oxford University Press.
Puttfarken, T. (1998) ‘Caravaggio's Story of St Matthew: a challenge to the conventions of painting’ in Art History, vol. 21, no. 2, pp. 163–81.
Rudolf, C. and Ostrow, S.F. (2001) ‘Isaac Laughing: Caravaggio, non-traditional imagery and traditional identification’ in Art History, vol. 24, no. 5, pp. 646–81.