Skip to content
Skip to main content

About this free course

Download this course

Share this free course

Art in Renaissance Venice
Art in Renaissance Venice

Start this free course now. Just create an account and sign in. Enrol and complete the course for a free statement of participation or digital badge if available.


Alberti, L.B. (1966) On Painting, ed. and trans. J. Spencer, New Haven and London, Yale University Press (translation of the Italian Della pittura).
Alberti, L.B. (1988) On the Art of Buildings in Ten Books, trans. J. Rykwert, N. Leach and R. Tavernor, Cambridge, MA, MIT Press.
Alberti, L.B. (1991) On Painting, ed. and trans. C. Grayson, intro. M. Kemp, Harmondsworth, Penguin (translation of the Latin De pictura showing passages left out from Della pittura by Alberti).
Babinger, F. (1978) Mehmet the Conqueror and his Time, trans. R. Mannheim, Princeton, Princeton University Press (first published 1953).
Bagci, S. (2004) catalogue entry no. 226, in D.J. Roxburgh (ed.) Turks: A Journey of a Thousand Years, 600–1600, London, Royal Academy of Arts (exhibition catalogue), p.434.
Baxandall, M. (1972) Painting and Experience in Fifteenth Century Italy, Oxford, Clarendon Press.
Bloom, J. and Blair, S. (1997) Islamic Art, London, Phaidon.
Brotton, J. (2002) The Renaissance Bazaar, Oxford, Oxford University Press.
Brown, R.D. (2000) ‘From Burckhardt to Greenblatt’, in K. Whitlock (ed.) The Renaissance in Europe: A Reader, New Haven and London, Yale University Press in association with The Open University, pp.4–11.
Burckhardt, J. (1990) The Civilization of the Renaissance in Italy, trans. S.G.C. Middlemore, Harmondsworth, Penguin (first published 1860).
Burke, P. (2000) ‘Early modern Venice as a center of information and communication’, in J. Martin and D. Romano (eds) (2000) Venice Reconsidered, Baltimore, Johns Hopkins University Press, pp.389–417.
Campbell, C. and Chong, A. (2005) Bellini and the East, London, National Gallery Publications (exhibition catalogue).
Campbell, L. (1981) ‘Notes on Netherlandish pictures in the Veneto in the fifteenth and sixteenth centuries’, Burlington Magazine, CXXIII, pp.467–73.
Christiansen, K. (1987) ‘Venetian painting of the early quattrocento’, Apollo, 125, March, pp.166–77.
Elmer, P. (2000) ‘Inventing the Renaissance: Burckhardt as historian’, in L. Kekewich (ed.) The Impact of Humanism, New Haven and London, Yale University Press in association with The Open University, pp.1–22.
Englander, D., Norman, D., O’Day, R., and Owens, W. R. (eds) (1990) Culture and Belief in Europe 1450–1600: An Anthology of Sources, Oxford, Blackwell in association with The Open University.
Fortini Brown, P. (1988) Venetian Narrative Painting in the Age of Carpaccio, New Haven and London, Yale University Press.
Fortini Brown, P. (1996) Venice and Antiquity, New Haven and London, Yale University Press.
Fortini Brown, P. (1997) Art and Life in Renaissance Venice, Upper Saddle River, Pearson/Prentice Hall.
Goffen, R. (1975) ‘Icon and vision: Giovanni Bellini’s half length madonnas’, The Art Bulletin, 57, pp.487–518.
Goffen, R. (1986) ‘Friar Sixtus and the Sistine Chapel’, Renaissance Quarterly, 39:2, pp.218–62.
Goffen, R. (1989) Giovanni Bellini, New Haven and London, Yale University Press.
Grabar, O. (2003) Book review [including Howard (2000), Jardine and Brotton (2000) and Mack (2002)], The Art Bulletin, LXXXV:1, pp.189–92.
Greenblatt, S. (1980) Renaissance Self-Fashioning: From More to Shakespeare, Chicago, University of Chicago Press.
Howard, D. (1999) ‘Ruskin and the East’, Architectural Heritage, 10, pp.37–53.
Howard, D. (2000) Venice and the East, New Haven and London, Yale University Press.
Humfrey, P. (1995) Painting in Renaissance Venice, New Haven and London, Yale University Press.
Jardine, L. and Brotton, J. (2000) Global Interests: Renaissance Art between East and West, London, Reaktion Books.
Kaplan, P.H. (1986) ‘Sicily, Venice and the East: Titian’s Fabricius Salvaresius with a black page’, in Europa und die Kunst des Islam 15 bis 18 Jahrhundert, Akten des XXV Internationalen Kongresses für Kunstgeschichte: Wien 4–10 September, 1983, vol.6, Vienna, Böhlau, pp.127–36.
Kristeller, P.O. (1965) ‘The modern system of the arts’, in Renaissance Thought II: Papers on Humanism and the Arts, New York, Harper & Row, pp.163–227 (first published 1951).
Mack, R.E. (2002) Bazaar to Piazza: Islamic and Italian Art 1300–1600, Berkeley and Los Angeles, University of California Press.
Martin, J. and Romano, D. (eds) (2000) Venice Reconsidered, Baltimore, Johns Hopkins University Press.
Moore, T.S. (1905) Albert Dürer, London, Duckworth.
Necipoglu, G. (1989) ‘Sulyeman the Magnificent and the representation of power in the context of Ottoman–Hapsburg–papal rivalry’, The Art Bulletin, LXXI:3, pp.401–27.
Nelson, R.S. (1996) ‘Living on the Byzantine borders of Western art’, Gesta, 35:1, pp.3–11.
Nicol, D.M. (1988) Byzantium and Venice: A Study in Diplomatic and Cultural Relations, Cambridge, Cambridge University Press.
Pamuk, O. (2001) My Name Is Red, trans. E.M. Göknar, London, Faber & Faber. [Originally published as Benim adim kirmizi, Istanbul, Iletisim, 1998.]
Pedrocco, F. (2002) The Art of Venice: From its Origins to 1797, Florence and New York, Scala/Riverside.
Pignatti, T. (1973) ‘The relationship between German and Venetian painting in the late quattrocento and early cinquecento’, in J.R. Hale (ed.) Renaissance Venice, Totowa, NJ, Rowman and Littlefield, pp.244–73.
Pixley, M.L. (2003) ‘Islamic artefacts and cultural currents in the art of Carpaccio’, Apollo, 158, November, pp.9–18.
Raby, J. (1982a) ‘A sultan of paradox: Mehmed the Conqueror as patron of the arts’, Oxford Art Journal, 5:1, pp.3–8.
Raby, J. (1982b) Venice, Dürer and the Oriental Mode, London, Sotheby Islamic Art Publications.
Raby, J. (1991) catalogue entry 107, Portrait Medal of Mehmet II, in Circa 1492: Art in the Age of Exploration,Washington, National Gallery of Art (exhibition catalogue), p.211.
Roper, W. (1962) The Life of Sir Thomas More, in R.S. Sylvester and D.P. Harding (eds) Two Early Tudor Lives, New Haven and London, Yale University Press (first published c.1560).
Rosand, D. (1982) Painting in Cinquecento Venice, New Haven and London, Yale University Press.
Runciman, S. (1969) ‘Constantinople-Istanbul’, Revue des études sud-est européens, 7, pp.205–8.
Smith, R. (1979) ‘In search of Carpaccio’s African Gondolier’, Italian Studies, 34, pp.45–59.
Spufford, P. (2002) Power and Pro. t: The Merchant in Medieval Europe, London, Thames & Hudson.
Tafuri, M. (1995) Venice and the Renaissance, Cambridge, MA and London, MIT Press (first published 1985).
Valensi, L. (1990) ‘The making of a political paradigm: the Ottoman state and Oriental despotism’, in A. Grafton and A. Blair (eds) The Transmission of Culture in Early Modern Europe, Philadelphia, University of Pennsylvania Press, pp.173–204.
Vasari, G. (1976) Le vite de’ più eccellenti pittori, scultori e architettori: Nelle redazioni del 1550 e 1568, vol.5, ed. P. Barocchi and R. Bettarini, Florence, Sansoni.
Vasari, G. (1996) Lives of the Painters, Sculptors and Architects, trans. G. du C. de Vere, intro. and notes D. Eskerdjian, 2 vols, Everyman’s Library, London David Campbell (this edn first published 1927 by Dent).
Vespasiano da Bisticci (1963) Renaissance Princes, Popes and Prelates: The Vespasiano Memoirs, New York, Harper and Row (originally composed c.1480–98).
Vickers, M. (1978) ‘Some preparatory drawings for Pisanello’s medallion of John VIII Palaeologus’, The Art Bulletin, LX, pp.417–24.
Welch, E. (1997) Art in Renaissance Italy 1350–1500, Oxford, Oxford University Press.
Woods, K.W. (ed.) (2007) Making Renaissance Art, New Haven and London, Yale University Press in association with The Open University.