5 Summary of Week 2
This week you have learned about different approaches to programming women’s music and considered the various issues and practicalities that you’ll need to think through when developing gender diverse programmes. You have heard from Roísín Maher discussing her work with the all-woman festival, Finding A Voice.
Next week you will consider how you can go about programming works by historic women composers, including where to find scores and resources and how to start making your own performance editions. You will hear from Tim Parker-Langston talking about his work developing Hensel Songs Online.
You can now go to Week 3.