In the eighteenth century and into the early part of the nineteenth, considerable numbers of aristocratic men (and occasionally women) travelled across Europe in pursuit of education, social advancement and entertainment, on what was known as the Grand Tour. A central objective was to gain exposure to the cultures of classical antiquity, particularly in Italy. In this free course, you’ll explore some of the different kinds of cultural encounters that fed into the Grand Tour, and will explore the role that they play in our study of Art History, English Literature, Creative Writing and Classical Studies today.
This OpenLearn course is an adapted extract from the Open University course A112 Cultures.
Course learning outcomes
After studying this course, you should be able to:
understand some of the key characteristics of the Grand Tour as a cultural practice in eighteenth and nineteenth century Europe
appreciate why the ancient world was so significant for modern visitors of this era
analyse a range of different texts and images, both ancient and modern
reflect how how these texts and images can prompt new creative activity, and put this into practice.
I would have liked an introduction to The Grand Tour to have been a chronological journey through all the places visited from Paris to Naples with emphasis on how the different people and cultures of those places affected the travellers - what they thought of the different foods, customs, politics and environments as well as buildings and art. There was far too much about the Colosseum and the purpose of portraiture. Instead of the Byron verses, and as much as I love poetry, I would have been more interested in reading from the journals or diaries of the people who wrote a more commonplace account of their experiences. I completed the course not really feeling I understood the raison d'etre of The Grand Tour, sadly.
I found the analysis of texts and portraits interesting, though it was largely confined to dealing with the Colosseum in Rome.
Some background information about the other major cities that comprised the 'Tour' would have been useful. What did travellers say about those places? Why was Paris, Geneva, Turin, Venice, Florence and Naples considered to be worthy of inclusion on the circuit? Why the predominance of Italy with 5 of those destinations?