Acknowledgements
This free course was written by Annika Mombauer, Vincent Trott and Stuart Mitchell and was first published in December 2023.
Except for third party materials and otherwise stated (see terms and conditions [Tip: hold Ctrl and click a link to open it in a new tab. (Hide tip)] ), this content is made available under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Licence.
The material acknowledged below is Proprietary and used under licence (not subject to Creative Commons Licence). Grateful acknowledgement is made to the following sources for permission to reproduce material in this free course:
Images
Course image: *** © IWM Art.IWM ART 1656; https://www.iwm.org.uk/collections/item/object/20015
Figure 1: Baumgarten, Eugen von/ Cornell University – PJ Mode Collection of Persuasive Cartography. Digital image: Historic Images / Alamy Stock Photo
Figure 1: Chicago : Chas. Gustrine, 1918, Library of Congress, https://tile.loc.gov/ storage-services/ service/ pnp/ ppmsca/ 18600/ 18640v.jpg
Figure 2: President George H W Bush:AACL: Albanian American Civic League
Figure 3: taken from: https://chroniclingamerica.loc.gov/ lccn/ sn85042243/ 1918-08-09/ ed-1/ seq-8/
Figure 4: ***Imperial War Museum: (c) IWM 26583; https://www.iwm.org.uk/ collections/ item/ object/ 26583
Figure 5: Pictorial Press Ltd / Alamy Stock Photo
Figures 6 and 7: Digital Library@Villanova University; taken from: https://digital.library.villanova.edu/ Item/ vudl:145752#?c=&m=&s=&cv=2&xywh=-4738%2C-263%2C12832%2C5247
Figure 8: artist H. Charles McBarron, Jr., (c) Federal Government of the United States
Figure 9: Horace Pippin. Horace Pippin memoir of his experiences in World War I, ca. 1921. Horace Pippin notebooks and letters, circa 1920. Archives of American Art, Smithsonian Institution.
Figure 10: Horace Pippin (American, 1888–1946), Philadelphia Museum of Art, www.philamuseum.org.
Figure 12: Esplanade Arts & Heritage Centre
Figure 13: Glenbow Archives NA-2164-1 via Alberta Historic Places
Figure 14: Hill 70; https://www.hill70.ca/Battle-of-Hill-70/Hill-70-Gallery/Story-Robe/The-Story-of-Mike-Mountain-Horse.aspx
Figure 1: Chicago : Chas. Gustrine, 1918, Library of Congress, https://tile.loc.gov/ storage-services/ service/ pnp/ ppmsca/ 18600/ 18640v.jpg
Figure 2: President George H W Bush:AACL: Albanian American Civic League
Figure 3: taken from: https://chroniclingamerica.loc.gov/ lccn/ sn85042243/ 1918-08-09/ ed-1/ seq-8/
Figure 4: ***Imperial War Museum: (c) IWM 26583; https://www.iwm.org.uk/ collections/ item/ object/ 26583
Figure 5: Pictorial Press Ltd / Alamy Stock Photo
Figures 6 and 7: Digital Library@Villanova University; taken from: https://digital.library.villanova.edu/ Item/ vudl:145752#?c=&m=&s=&cv=2&xywh=-4738%2C-263%2C12832%2C5247
Figure 8: artist H. Charles McBarron, Jr., (c) Federal Government of the United States
Figure 9: Horace Pippin. Horace Pippin memoir of his experiences in World War I, ca. 1921. Horace Pippin notebooks and letters, circa 1920. Archives of American Art, Smithsonian Institution.
Figure 10: Horace Pippin (American, 1888–1946), Philadelphia Museum of Art, www.philamuseum.org.
Figure 12: Esplanade Arts & Heritage Centre
Figure 13: Glenbow Archives NA-2164-1 via Alberta Historic Places
Figure 1: PATRICK ANTHONISZ / Alamy Stock Photo
Figure 2: GaryBlakeley; https://creativecommons.org/ licenses/ by-sa/ 4.0/
Figures 3 and 4: MS 43721 ‘Dulce et Decorum est.’, Poems, 1911-18 (ink on paper), Owen, Wilfred (1893-1918) / English, BL3468052. © British Library Board. All Rights Reserved / Bridgeman Images
Figure 5: ***Imperial War Museum: © IWM Art.IWM ART 518; https://www.iwm.org.uk/ collections/ item/ object/ 20211
Figure 6: ***Imperial War Museum: © IWM (Art.IWM ART 1460). https://www.iwm.org.uk/ collections/ item/ object/ 23722
Figure 7: ***Imperial War Museum: © IWM Q 31513; https://www.iwm.org.uk/ history/ what-is-the-cenotaph
Figure 8: Angelo Hornak / Alamy Stock Photo
Figure 9: Käthe Kollwitz, Public domain, via Wikimedia Commons
Figure 1: photograph Jarretera / Shutterstock.com
Figures 2 and 3: Google Scholar
Figure 4: JSTOR logo © JSTOR; photograph II.studio / Shutterstock.com
Figures 5 and 7: search results from JSTOR
Figure 6: Jure Divich/Shutterstock.com
Figure 8: Taken from: https://www.jstor.org/stable/26073; Journal of Contemporary History, Vol. 25 (1990) 289-316, Sage Publications Ltd.
Figure 10: sample from German History in Documents and Images webpage: http://germanhistorydocs.ghi-dc.org/ home.cfm; © GHDI
Figure 11: Steven Frame / 123RF
Text
‘The Call’: Jessie Pope, 1914
‘Dulce et Decorum Est’: Wilfred Edward Salter Owen, 1918
Audio/Visual
Audio: ‘On Patrol in No Mans Land’ taken from: James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band; https://www.youtube.com/ watch?v=YeIET9ZIkGk
Audio: ‘On Patrol in No Mans Land’ taken from: James Reese Europe's 369th U.S. Infantry "Hell Fighters" Band; https://www.youtube.com/ watch?v=YeIET9ZIkGk
Every effort has been made to contact copyright owners. If any have been inadvertently overlooked, the publishers will be pleased to make the necessary arrangements at the first opportunity.
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