In the eighteenth century and into the early part of the nineteenth, considerable numbers of aristocratic men (and occasionally women) travelled across Europe in pursuit of education, social advancement and entertainment, on what was known as the Grand Tour. A central objective was to gain exposure to the cultures of classical antiquity, particularly in Italy. In this free course, you’ll explore some of the different kinds of cultural encounters that fed into the Grand Tour, and will explore the role that they play in our study of Art History, English Literature, Creative Writing and Classical Studies today.
This OpenLearn course is an adapted extract from the Open University course A112 Cultures.
Course learning outcomes
After studying this course, you should be able to:
understand some of the key characteristics of the Grand Tour as a cultural practice in eighteenth and nineteenth century Europe
appreciate why the ancient world was so significant for modern visitors of this era
analyse a range of different texts and images, both ancient and modern
reflect how how these texts and images can prompt new creative activity, and put this into practice.
I found the analysis of texts and portraits interesting, though it was largely confined to dealing with the Colosseum in Rome.
Some background information about the other major cities that comprised the 'Tour' would have been useful. What did travellers say about those places? Why was Paris, Geneva, Turin, Venice, Florence and Naples considered to be worthy of inclusion on the circuit? Why the predominance of Italy with 5 of those destinations?
It does call itself an introductory course but I felt it was hardly a university level course. There is so much more that could be said about the social and cultural aspects - the contacts the tourists made, (social or intellectual) what they collected and for what reason. Rome was discussed but what about Florence or Venice? What did the families funding this very expensive exercise hope to get back for their outlay? The bibliography does not list any of the works actually on the Grand Tour.
Some background information about the other major cities that comprised the 'Tour' would have been useful. What did travellers say about those places? Why was Paris, Geneva, Turin, Venice, Florence and Naples considered to be worthy of inclusion on the circuit? Why the predominance of Italy with 5 of those destinations?