
I joined BBC Northern Ireland in 2002, and so became a reporter of the aftermath. Conflict journalists counted the bodies; I would spend my career counting the cost. In those early years after the agreement there were times when it seemed as if the accumulated weight of history might prove too heavy for the gossamer threads of peace.
Sometimes, when covering yet another interface riot, or charting the rise of dissident republican organisations, or interminable political stand-offs, I would often be reminded of F Scott Fitzgerald’s famous phrase in The Great Gatsby; “so we beat on, boats against the current, borne back ceaselessly into the past.”
In the end, though, we came through. Perhaps the greatest achievement of the last three decades wasn’t the idealism of the Good Friday Agreement, but the mundane and often frustrating pragmatism of the years that followed.
Blue Lights, the TV drama that I write these days has that dichotomy at its heart. The show is in some sense a testimony to those countless quotidian decisions, mostly made far away from the halls of power; to take the higher path.
To do the right thing.
Perhaps we all wish we might have travelled farther in those decades; but the fact that we remain on the path, for all its bumps and obstacles, is an everyday kind of miracle.
Impossible Peace 2: Explore the collection
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Impossible Peace 2: Tea for two
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Impossible Peace 2: "The taigs are getting everything"
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Impossible Peace 2: On a wing and a prayer
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Impossible Peace 2: Bullets in their socks
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Impossible Peace 2: The murders at Massereene
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Impossible Peace 2: The missing legacy voices
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Impossible Peace 2: Where have all the leaders gone?
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Ceasefire anniversary in Northern Ireland: 30 years of an impossible peace
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Acknowledgements
With thanks to project photographer Marie Therese Hurson, Stills Photographic.
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