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Artists and authorship: the case of Raphael
Artists and authorship: the case of Raphael

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Acknowledgements

This free course was written by Kathleen Christian (Section 1.5 and Section 2) and Steve Edwards (Section 1.1–1.4). Edited by Leah R. Clark.

Except for third party materials and otherwise stated in the acknowledgements section, this content is made available under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 Licence [Tip: hold Ctrl and click a link to open it in a new tab. (Hide tip)] .

The material acknowledged below is Proprietary and used under licence (not subject to Creative Commons Licence). Grateful acknowledgement is made to the following sources for permission to reproduce material in this course:

Course image

© Scala, Florence.

Images

Figure 1: © National Gallery / Scala, Florence.

Figure 2: © Scala, Florence.

Figure 3: ©Villa Farnesina / Bridgeman Images.

Figure 4: © Scala, Florence.

Figure 5: © Courtesy The National Gallery of Art, Washington.

Figure 6: © Alte Pinakothek / Bridgeman Images.

Figure 7: © Scala, Florence.

Figure 8: © Musée du Louvre / Bridgeman Images.

Text

Activity 1: entry on Raphael: Chapman, H. (n.d.) ‘Raphael’, The Oxford Companion to Western Art, Oxford Art Online [Online], Oxford, Oxford University Press.

Activity 2: extracts from Shearman, J. (2003) Raphael in Early Modern Sources (1483–1602), 2 vols, New Haven and London, Yale University Press, vol. 1, pp. 548, 572, 575, 579 (trans. K. Christian).

Activity 5: extract from Shearman, J. (2003) Raphael in Early Modern Sources (1483–1602), 2 vols, New Haven and London, Yale University Press, vol. 1, pp. 180–1 (trans. K. Christian).

Activity 5: extract from Dolce, L. (1554) Lettere di diversi eccellentiss. huomini, raccolte da diversi libri: tra le quali se ne leggono molte, non piu stampate, Venice, Gabriel Giolito de Ferrari, pp. 226–8 (trans. K. Christian).

Every effort has been made to contact copyright owners. If any have been inadvertently overlooked, the publishers will be pleased to make the necessary arrangements at the first opportunity.

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